Experiências de criação cênica com atrizes e atores na televisão: o Programa Ciência Aberta da TV UFPB
This research sought to deepen the studies about the actor's creative process in fiction on the television context, this popularly known language, but still poorly studied under the actor´s point of view. This investigation has departed from the author´s experience as director of teledramaturgy...
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| Formato: | Dissertação |
| Idioma: | por |
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| Endereço do item: | https://repositorio.ufrn.br/jspui/handle/123456789/24883 |
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| Resumo: | This research sought to deepen the studies about the actor's creative process in fiction on the television context, this popularly known language, but still poorly studied under the actor´s point of view. This investigation has departed from the author´s experience as director of teledramaturgy at the Ciência Aberta show, produced by TV UFPB. This show approaches the relationship between scientific and popular knowledge using journalistic and teledramaturgic language respectively, in an aesthetic that reveals actor´s creative process through metalanguage. Therefore, has proposed to the dialogue with the theoretical studies in the fields of cinema, theatre, and television, attempting to enlighten their frontiers of relation and contamination, specifically, in the actor's preparation technique. It has also performed an interlocution that attends interviews with television´s actors and directors as well as experiences reports to search an understanding about the relationship between actor\camera and its developments in television artistic creation. The practical stage of the research has carried out a workshop held with actors and students enrolled in theatre course of UFPB, that has resulted in the construction of the Ciência Aberta show's first episode of the second season, which has sought to radicalize what has been proposed in the first season of the show: the deepening and explanation of the creative process of the actor, modes of audiovisual production, methodologies and support concepts of creation. This work was conceptually guided by the authors Arlindo Machado, who explains about the audiovisual world, Jackeline Nacache, that focuses on cinema‟s actors and actresses, Constantin Stanislavski, whose studies on the actor are the base for several techniques of acting both in theater and cinema, and Walmeri Ribeiro, which addresses the actor's co-creation relationship in the audiovisual. With this research, we have intended to contribute to the reflection and discussion about the actor´s formation and the production modes in Brazilian contemporary television, particularly in the context of acting for the camera. |
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