A dança das confissões: introdução à oralidade, performance e inscritura em Niketche, de Paulina Chiziane
This dissertation presents a panoramic study concerning the orality in African novel, particularly, in the book called Niketche: uma história de poligamia (2004), from Mozambican writer Paulina Chiziane, considered one of the first novelist from her country to publish in this genre. We investigated...
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| Formato: | Dissertação |
| Idioma: | por |
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| Endereço do item: | https://repositorio.ufrn.br/jspui/handle/123456789/24409 |
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| Resumo: | This dissertation presents a panoramic study concerning the orality in African novel, particularly, in the book called Niketche: uma história de poligamia (2004), from Mozambican writer Paulina Chiziane, considered one of the first novelist from her country to publish in this genre. We investigated the form in which the narration embodies and articulates the three categories that features an important role to the sensitivity and the oral perception of the written text: the voice, the letter and the gesture. By the nature of the chosen corpus, such study permeated discussions about the role of the woman as a writer, weaving interpretations concerning the fictional, historic and cultural discourses about the women and associating the space of the artistic creation as a possible territory in which new forms of representation emerge concerning the feminine. The instruments that served as basis to our reflections are anchored in the postulates of the literary theory about the orality, such as the works of Paul Zumthor (2000) and Hampaté-Bâ (1980), as well as the cultural and post-colonial studies of Homi K. Bhabha (2003) and Gayatry Spivak (2010). |
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