Mazurkas Op. 50, 1 a 4 para piano de K. Szymanowski: um estudo analítico e interpretativo
This article aims to develop a analysis and interpretation of four of the 20 Mazurkas Op. 50 of the Polish composer Karol Szymanowski (1882-1937). The Mazurkas Op. 50 were written during the nationalist period of the composer, which began with the publication of Slopiewnie song cycle Op. 46. The...
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| Formato: | Dissertação |
| Idioma: | por |
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Brasil
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| Endereço do item: | https://repositorio.ufrn.br/jspui/handle/123456789/23480 |
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| Resumo: | This article aims to develop a analysis and interpretation of four of the 20 Mazurkas Op. 50
of the Polish composer Karol Szymanowski (1882-1937). The Mazurkas Op. 50 were written
during the nationalist period of the composer, which began with the publication of Slopiewnie
song cycle Op. 46. The research is developed from the work of authors such as
Kosakowski (1980) SAMSON (1990) Palmer (1983), CHYLINSKA (1993) Perkins (1996),
WIGHTMAN (1999), CHAE (2010), Cesetti (2009), Liu (2012), Cadrin & DOWNES (2015).
The work presents a biographical sketch of the composer offering an overview of his work,
the peculiarities of the creative period based on the nationalism of his country and a study
of the Mazurkas Op.50 No. 1, 2, 3 and 4 in the analytical perspective and interpretive. Article
is justified because it is a focused approach to the implementation of the piano repertoire
of the twentieth century still not widespread in Brazil, seeking to offer a theoretical
and structural basis, helping to meet educational needs and expanding the possibilities in
the repertoire of choice for students and teachers piano. |
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