Um bonde chamado saudade: memória e historiografia na prosa de Augusto Frederico Schmidt

The approach of literary discourse and its relations with the historical speech starts from an inquiry focused on the understanding of memory and the subject.This, as a psychosocial being, endowed with the capacity to perceive and remember something meaningful, will contribute to the formation of hi...

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Autor principal: Caldas Neto, Paulo de Macedo
Outros Autores: Falleiros, Marcos Falchero
Formato: doctoralThesis
Idioma:por
Publicado em: Brasil
Assuntos:
Endereço do item:https://repositorio.ufrn.br/jspui/handle/123456789/22678
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Resumo:The approach of literary discourse and its relations with the historical speech starts from an inquiry focused on the understanding of memory and the subject.This, as a psychosocial being, endowed with the capacity to perceive and remember something meaningful, will contribute to the formation of his own memory. This will be filled by the memories of social groups of which the subject was part, instituting what is called collective memory. Afterwards, a reflection on the historical discourse will take place, with Historiography, a branch of the Philosophy of History responsible for the appreciation of the facts that marked a society, as a basis for the literary analysis of the object of study in question – the Prose of memories of Augusto Frederico Schmidt. This work has as its primary focus the understanding of the foundations of individual memory I in memorialistic reports White Rooster, Forests and other published texts, in prose category, the writer and businessman Augusto Frederico Schmidt. Known for its intense political activity in the Government JK, the ides of 50 and 60 in Brazil, we will come across a worried man with the record of his life and the existing connections between his artistic and biographical work and the events of an era. Some of Schmidtian texts resemble chronic, because they were published in newspapers and have the brevity, lyricism, poetry of the moment, although follow beyond circumstantial record, reaching the structure of a long and full of autobiographical narrative points. This research points out to the boundaries between memorialistic, historiographical and autobiographical texts, especially when we establish theoretical and analytical links to the aesthetic explanation of literary works in question. All psychomotor mechanism of memory, component for activation of memory, has been highlighted. Then, we approach the way in which it presents the historical discourse within the actual narratives of Schmidt and the connection of representation between memory and history within the prose.