Um traço sobre o Ser(tão): pinturas de Iran Dantas, Assis Marinho e Assis Costa entre as décadas de 1980 a 2000
This study aims to reflect on the identity constructions about Seridó as portrayed in works of Potiguar artists Iran Dantas, Assis Marinho and Assis Costa (1960-2010). The works will be analyzed from vision applied in Social History of Art, which is a relationship between the artist, the work and so...
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| Formato: | Dissertação |
| Idioma: | por |
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| Endereço do item: | https://repositorio.ufrn.br/jspui/handle/123456789/22124 |
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| Resumo: | This study aims to reflect on the identity constructions about Seridó as portrayed in works of Potiguar artists Iran Dantas, Assis Marinho and Assis Costa (1960-2010). The works will be analyzed from vision applied in Social History of Art, which is a relationship between the artist, the work and society, based on the methodological theoretical assumptions of Michael Baxandall, T. J. Clark, Enrico Castelnuovo and Jorge Coli. In addition to referring to Stuart Hall, Albuquerque Junior and Muirakytan K. Macêdo in the discussion of cultural and regional identity. We aim to question the representative icons in this space marked by a historical construction characterized by the multiple dimensions of human experience and daily life pervaded of a collective imagination, creating a sense of belonging to the place, establishing a spatial identity. In this perspective, the aim is to develop an outline that can contextualize the art produced in the interior of Rio Grande do Norte. Starting out with the artists Newton Navarro and Dorian Gray Caldas, we discuss a reflection on their works provided, which constitute an iconography built to identify the state, solidifying some sense of identity, particularly towards the city of Natal. Thus, the iconography of these two painters provides a pictorial reference repository to Seridoense artists such as Iran Dantas, Assis Marinho and Assis Costa, who produce a set of images creating a way to see this regional space. In practical terms, the study proposes sew the threads of these artists’ pictorial fabric, full of historicity, seeing art as a human and historical production, pervades with an imagetic-discursive construction. One can say that the sense of Seridó identity is built on a regionalist discourse and reaffirmed in the pictorial production of the artists who have their aesthetic and cultural singularities. In addition, we emphasize the understanding of individual and creative universe for each of them in developing their art. |
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