Metadramaturgia e escrita performática na obra dramatúrgica de Nikolai Gógol
This research is a result of a theoretical reflection about on the work of Russian writer dramaturgical Nikolai Gógol and the ways in which his initial experiments were crucial not only on what concerns the building of own work identity, but also the construction of the various forms of conceptio...
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Formato: | doctoralThesis |
Idioma: | por |
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Brasil
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Endereço do item: | https://repositorio.ufrn.br/jspui/handle/123456789/21538 |
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Resumo: | This research is a result of a theoretical reflection about on the work of Russian writer
dramaturgical Nikolai Gógol and the ways in which his initial experiments were crucial not
only on what concerns the building of own work identity, but also the construction of the
various forms of conception and creation of work dramaturgical and the way they have
influenced modern theatre. The work holds the analysis of gogoliana metadramaturgical
trilogy and comprising the following plays: The inspector general (1836), Leaving the theater
after the performance of a new comedy (1842) and Denouement of The inspector general
(1846). As such, are of particular interest to this work, the concepts of metadramaturgy and
writing performatic are fundamental to the analysis of the playwright's work. The study on
metadramaturgy will be worked from the analysis of de metalanguage and metatheatre so that
we can understand how to structure the idea of metadramaturgy and how this concept can be
used in the analysis of dramaturgical works. The idea of writing performatic includes the
study of the work from the performative bias, to understand the author and the reader/viewer
as protagonists of this relationship. From the studies of these two concepts, metadramaturgy
and writing performatic, shall be able to understand more deeply the different aspects of the
author's work, particularly in terms of past the relevance of his writing. |
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