A construção do discurso paródico na pornochanchada: uma cosmovisão carnavalesca
In Brazil, in the 197 there was an effervescence in film production. In this period, erotic comedies were made and labeled pornochanchadas. These films made a big hit facing to the Brazilian public, but were always ridiculed by critics who judged them as evil done cinema. In this context, part of th...
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| Formato: | doctoralThesis |
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| Endereço do item: | https://repositorio.ufrn.br/jspui/handle/123456789/21536 |
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| Resumo: | In Brazil, in the 197 there was an effervescence in film production. In this period, erotic comedies were made and labeled pornochanchadas. These films made a big hit facing to the Brazilian public, but were always ridiculed by critics who judged them as evil done cinema. In this context, part of that film production can be classified as parody. So, this work whose subject is language and film has the object of investigation the construction of parodic discourse and carnival worldview in pornochanchada and is inserted in the area of Applied Linguistics in a socio-historical perspective. In order to carry out the analysis, we are reflecting on the investigation of verbal-visual elements present in the compositional form of three erotic comedies produced in the 1970s, as well as analyze the project of constitutor/constituent saying from architectural form. We take as a priority theoretical and methodological foundation of the formulations about language arising from Bakhtin Circle (2006, 2010), such as the dialogical approach of language and reflections relating to the dialogical discourse analysis. The main reference is the work by Bakhtin (2010b, 2010d) on the carnival worldview, the parody, the styling and the carnival laughter. |
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