Para tornar-se autor: propostas de escrita dos livros didáticos do ensino médio de língua portuguesa
The idea has already been invented. The history has already been told. The words have already been spoken. In contemporary times, all apparently about everything has already been said because no speech is Adamic. In the era of copy and paste, when it has even more conflicts about the ethics of not p...
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| Formato: | Dissertação |
| Idioma: | por |
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Brasil
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| Endereço do item: | https://repositorio.ufrn.br/jspui/handle/123456789/21466 |
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| Resumo: | The idea has already been invented. The history has already been told. The words have already been spoken. In contemporary times, all apparently about everything has already been said because no speech is Adamic. In the era of copy and paste, when it has even more conflicts about the ethics of not plagiarizing, discussing about how producing copyright statements becomes essential nowadays. These concerns, on this research, are brought to the “cronotopo” of the classroom, especially for Portuguese textbooks, which are interpreted as a guiding of the content and practice of the native language teaching (Antunes, 2003; Buzen, 2005; Coracini 1999; Suassuna, 2006). Under these circumstances, this research seeks the analysis of how a textbook is writing in order to observe the creation of situations of copyright marks. So, for this purpose, there were selected two collections of textbooks for students of the 1st year of high school. The adopted textbooks are among the most used textbooks in Brazil, and it received positive reviews from the “Programa do Livro Didático (Edital 2012)”. To achieve this goal, the study is based on a qualitative-interpretative perspective and methodological guidance from the Applied Linguistics; the theoretical and methodological basis of Dialogic Analysis of Discourses (Geraldi, 2012; Faraco, 2009). The theoretical perspective comes from the postulates of the Bakhtin Circle in relation to the concepts of dialogic language, from the concrete and authoring outline. The total data constructed during this research were grouped in two categories.The first category contains textual proposals that value an authoring in dialogical perspective, which seeks creating situations of writing that meet a discursive necessity, and it points out the aspects of the gender composition. The second category contains textual proposals that stage an authoring in monological perspective, when you do not specify the genre or you do not build an enunciation in which the student does not exercise one volitional-emotional relationship with such situation. In general terms, the two collections have zeal in relation to simulate actual writing situations, which could provide the production, by students, of concrete statements, valuing the rewriting and the view over to the finishing of the produced statements. |
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