Imaginários da morte: poética das imagens em cemitérios brasileiros
The thesis presented is committed to a poetic reading that results in the creation of meaning and images of the death from the various cultural practices and symbolic representations exposed in urban cemeteries in some Brazilian cities, aiming to give visibility to new understandings about the im...
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| Formato: | doctoralThesis |
| Idioma: | por |
| Publicado em: |
Universidade Federal do Rio Grande do Norte
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| Endereço do item: | https://repositorio.ufrn.br/jspui/handle/123456789/21151 |
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| Resumo: | The thesis presented is committed to a poetic reading that results in the creation of
meaning and images of the death from the various cultural practices and symbolic
representations exposed in urban cemeteries in some Brazilian cities, aiming to give
visibility to new understandings about the imaginary of the in the contemporary
scene. Death, therefore, will be seen as a imagining condition of anthroposwhen
starts itself from the prerogative of the human consciousness of death (MORIN,
1970), in other words, this awareness that man has he will die and that triggers
reflections about their existence allows the emergence of a number of practices such
as: mourning, funeral rituals and the creation of several impregnated representations
of human emotions emerged from the death facing the man and present, in a more
evident form in cemeterial spaces. For this, it focuses on the conflictuous dimension
that man establishes with death, because the cultural practices and symbolic
representations observed in the research field are the result of this conflict and allow
the expansion of the senses about this issue, to the extent that these are coated with
a fantastic aura, mystical, secret, spooky, fearful, religious, building a complex
imagination. The general plan of this study is to discuss and create, from a
phenomenology of imagination and materials / dynamics imagination, as well as
along the lines treated by Gaston Bachelard, images of death, from a field
experience in cemeteries in Brazil. For this, it is assumed, to observe the cultural
practices and symbolic representations in these spaces, a posture able to make the
experience into the search field a moment of symbolic exchanges and creation. Thus,
it was used observation, conversations with visitors and employees of the cemeteries
and the capture of photographic records. The data produced as a fragment of a
conversation, a tearful outburst about the loss of a relative, a melancholic epitaph, a
flower on the grave or a cry captured by photography were seen as detonators of
meanings and a poetic of the imagination. |
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