Classificação de técnicas estendidas no contrabaixo acústico
This work is to identify and classify extended techniques on acoustic bass. The main purpose of this classification is to provide the bass better understanding and practice these techniques. For this, we carried out a literature review, it was noted that, in academia, this topic is new and unders...
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| Formato: | Dissertação |
| Idioma: | por |
| Publicado em: |
Universidade Federal do Rio Grande do Norte
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| Endereço do item: | https://repositorio.ufrn.br/jspui/handle/123456789/20982 |
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| Resumo: | This work is to identify and classify extended techniques on acoustic bass. The main purpose
of this classification is to provide the bass better understanding and practice these techniques.
For this, we carried out a literature review, it was noted that, in academia, this topic is new
and understanding for some musicians is still complex and nebulous. To assist in the
difficulties of the bass player, the extended techniques were divided into two parts, proposing
different approaches. The first part proposes the experimentation and exploration of
conventional and unconventional techniques from other instruments on acoustic bass. The
second seeks to identify and rank the extended techniques, showing excerpts from the solo
instrument repertoire compositions. On each, there are still referenced authors and their
contributions to the instrumental practice these techniques. In both categories of classification
procedures were presented to be adopted by the bass player for the implementation of those
techniques, as well as suggestions for their study. Among the main results, it was found that
through the proposed classification of these techniques, one can incorporate new resources to
technical universe and timbre of the instrument. Lastly, it was found a creation of a
composition performed by interaction between composer and performer, containing new
extended techniques or extended techniques not found in the instrument's contemporary
soloist repertoire. |
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