Atmosferas arquitetônicas: projeto e percepção na obra de Peter Zumthor
This thesis will discuss the topic architectural atmospheres, based on Peter Zumthor's works and narrative. The subject "architectural atmospheres" is defined in the study as the "complex and general condition, realized by the user during the experience of a place". Atmos...
Na minha lista:
| Autor principal: | |
|---|---|
| Outros Autores: | |
| Formato: | Dissertação |
| Idioma: | por |
| Publicado em: |
Universidade Federal do Rio Grande do Norte
|
| Assuntos: | |
| Endereço do item: | https://repositorio.ufrn.br/jspui/handle/123456789/20713 |
| Tags: |
Adicionar Tag
Sem tags, seja o primeiro a adicionar uma tag!
|
| Resumo: | This thesis will discuss the topic architectural atmospheres, based on Peter Zumthor's
works and narrative. The subject "architectural atmospheres" is defined in the study as the
"complex and general condition, realized by the user during the experience of a place".
Atmospheres are composed of the overlap of all physical qualities that compound a space and
its perception, conditioned by individual issues of the user. The atmosphere is realized
through all human body receivers, in a multi-sensorial process, and affects qualitatively the
spacial experience of the places created by architecture. The study has three chapters. The
first chapter is a reflection on the issues that architectural atmospheres present. It passes
through the concept and definition of the subject and includes a compilation of design
principles that act on the architectural atmosphere composition in a variety of projects by a
range of professionals. In the second chapter, the procedures adopted by Peter Zumthor in his
design process that focus on atmosphere composition are studied. In the third and last chapter,
Brother Claus Chapel (Wachendorf, German) and Kolumba Museum (Colon, German)
projects, both by Peter Zumthor, are analyzed, in order to comprehend the complex role of
elements that constitute the architectural atmosphere of each of these places. The
methodology used throughout the thesis consists of bibliography and documental analysis,
based on books, plans and material searched on Internet. Furthermore, the project analysis
counted with the personal experience of the author of this thesis upon visiting the studied
buildings. Finally, in conclusion, it is realized that when architecture is made in order to touch
the user, expressed by its built objects, it can be provide a vast conceptual and theoretical
basis that valorizes and enriches the experience of its use. It (the architectural atmosphere) is
related to an approach that uses the same elements of any other construction, but distinguishes
itself by the connections that it implies with humans and its environment. In the face of new
patterns unveiled for contemporary architecture, this study contribution is based around the
opportunity to understand this particular relationship between user and architectural object,
identified as a phenomenological approach of architecture, as well as to update the subject
bibliography, still scarce among Brazilian universities. |
|---|