Técnicas estendidas e aspectos culturais presentes na Puneña n. 2, Op. 45 para violoncelo solo de Alberto Ginastera
This research sheds light on the stylistic elements originated from the region of Puna found in the Puneña N°. 2, Op. 45 by Alberto Ginastera for Solo Cello in order to supply cellists with the background needed for the interpretation of the piece. As a methodological procedure authors such as Ar...
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| Formato: | Dissertação |
| Idioma: | por |
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Universidade Federal do Rio Grande do Norte
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| Endereço do item: | https://repositorio.ufrn.br/jspui/handle/123456789/20353 |
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| Resumo: | This research sheds light on the stylistic elements originated from the region of Puna
found in the Puneña N°. 2, Op. 45 by Alberto Ginastera for Solo Cello in order to supply
cellists with the background needed for the interpretation of the piece. As a methodological
procedure authors such as Aretz (2003, 2008), Aguilar (2007) and Falú (2011), Suárez
Urtubey (1967, 1972, 2003) were studied with the goal of better understanding the folk music
of the Puna Region and the life and work of Ginastera. From the bibliographical research
suggestions were drawn for the cellist interested in the performance and study of the work. |
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