Escritura nômade e tédio em "Harmada", de João Gilberto Noll
In the context of poetic productions of modernity and postmodernity (Hutcheon, 1999), this paper, from the concept of nomadism (Deleuze, 2012), together with the philosopher Derrida's notion of writing (2009), has the objective to study Harmada the novel (1993), written by artist Joao Gilber...
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| Formato: | Dissertação |
| Idioma: | por |
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Universidade Federal do Rio Grande do Norte
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| Endereço do item: | https://repositorio.ufrn.br/jspui/handle/123456789/20272 |
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| Resumo: | In the context of poetic productions of modernity and postmodernity (Hutcheon, 1999), this
paper, from the concept of nomadism (Deleuze, 2012), together with the philosopher Derrida's
notion of writing (2009), has the objective to study Harmada the novel (1993), written by artist
Joao Gilberto Noll, the aspect of Nolliana nomadic scripture and boredom towards
deconstruction of the Romanesque style. The narrative focus on introducing a transit fiction,
promoted by nomadisms scripture of the wandering narrator who, in the work constitution, will
the conduct of language, a plot that invades the body of the characters full of boredom and
foreigners themselves, moving in fragmented and fluid spatiality of narrating. In this
perspective, the research is limited with theoretical and methodological foundation in
poststructuralist discussions in relation to considerations of literary aesthetics and concerning
the thinkers-teóricos- critics: Derrida (2009), Deleuze (1995), Foucault (1996, 2001), Barthes
(1977), Svendsen (2006). Against the background of critical understanding, the nomadic
writing Harmada interlace in three stages: first, in the author's language; Second, the characters,
the narrator-protagonist leading, unnamed, living overwhelming crises and painful existential
ambiguity, placed through the artist's metaphor failed under the sign of "missing" while
searching for other possible artistic ways of being in the world; and, finally, the nomadic
reading instance as presentification effect (GUMBRECHT, 2010) for a reader experimentation.
Finally, our work addresses the relationship between the nomadic scripture and the experience
of boredom as a strategic power in the literature do Noll gear. |
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