A escrita de Roberto Victorio nas peças Aztlan e Chronos III para violoncelo solo
The cello has a prominent place in the music of Roberto Victorio, due to the fact the composer is a cellist and knows the idiomatic and technical aspects of the instrument. This article analyzes the skills and knowledge necessary to the performance of the works Aztlan and Chronos III for solo cel...
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| Formato: | Dissertação |
| Idioma: | por |
| Publicado em: |
Universidade Federal do Rio Grande do Norte
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| Endereço do item: | https://repositorio.ufrn.br/jspui/handle/123456789/20087 |
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| Resumo: | The cello has a prominent place in the music of Roberto Victorio, due to the
fact the composer is a cellist and knows the idiomatic and technical aspects of the
instrument. This article analyzes the skills and knowledge necessary to the performance of
the works Aztlan and Chronos III for solo cello. As methodological procedure the work
was built in three stages: at first a study on notation in the works of Victorio was develeped
and how the concepts of desperception, timbre, time and space influence his writing. In a
second moment the author made an interview with the composer and finally held
performances and recordings of works using the concepts researched in the first two steps. |
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