Dar a ver Sertão e Sevilha: matizes hispânicas na poética de João Cabral de Melo Neto
Dar a ver Sertão e Sevilha: matizes hispânicas na poética cabralina is a study on the lyric reading possibilities of Cabralian poetry, from the work of the poet from Pernambuco, that shows the intercultural dialogue and the Spanish poetical approach absorbed by João Cabral de Melo Neto during his...
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| Formato: | doctoralThesis |
| Idioma: | por |
| Publicado em: |
Universidade Federal do Rio Grande do Norte
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| Endereço do item: | https://repositorio.ufrn.br/jspui/handle/123456789/19886 |
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| Resumo: | Dar a ver Sertão e Sevilha: matizes hispânicas na poética cabralina is a study on the
lyric reading possibilities of Cabralian poetry, from the work of the poet from Pernambuco,
that shows the intercultural dialogue and the Spanish poetical approach absorbed by João
Cabral de Melo Neto during his Andalusian experience. Hispanic interfaces incorporated by
the Cabralian poetry through literature or through the direct contact with the culture are
registered on the 133 poems that have Spain as theme, in which we can see the matrix of
Hispanic tradition, rich in its diversity, was the preponderant element for the poet João Cabral
to discover the core of his lyric backwards. From Hispanic corpus, it will be explored the
aesthetical assimilation of Spanish poetry in the work of João Cabral de Melo Neto, with the
objective of demystifying the issues of lyrical dullness and anti musicality on Cabralian
poetics in which, from the appropriation of Hispanic elements investigated as a signal of
lyrics and musicality, originates a reading unattached from the constructivist signal, tessitura
evidenced by the critic Antonio Candido since the origin of JCMN poetry with the poem
Pedra do sono (1942). The mentioned aesthetics was adopted later on by the literary critics
that named it as “brain poetry” for its hermetical configuration, tessitura of rigor, concreteness
of language and stiff metrics. The results obtained from this study aim to induce a reading that
favors the lyrical acoustic of the Cabralian poetry in the effort to ease the aspects of the arid
construction. |
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