O gauche: poética da travessia entre Renato Russo e Carlos Drummond de Andrade
This dissertation, called “The gauche (O gauche): the poetry of crossing between Renato Russo and Carlos Drummond de Andrade”, discusses on the problematic subjection of the gauche which brings Drummond’s poetry into Renato Russo’s singularizing one, emphasizing such subjection and seeking to fin...
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| Formato: | Dissertação |
| Idioma: | por |
| Publicado em: |
Universidade Federal do Rio Grande do Norte
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| Endereço do item: | https://repositorio.ufrn.br/jspui/handle/123456789/19465 |
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| Resumo: | This dissertation, called “The gauche (O gauche): the poetry of crossing between
Renato Russo and Carlos Drummond de Andrade”, discusses on the problematic
subjection of the gauche which brings Drummond’s poetry into Renato Russo’s
singularizing one, emphasizing such subjection and seeking to find the tension which
dwells between both, pointing out at the poet and the songwriter the dislocations, the
non-territorial process and the repetition of the difference. Thus, the act, the esthetics
and the policy of writing do move from a textual, inter-textual character to a range of
references, perceptions, dislocations, establishing within those spaces, elements
residing in poetical cartographies which relate both writers on this rizomatic crossing
for the writing of both is bound by desire and minorities. To do so, we chose, as
research basis, authors such as Gilles Deleuze, Jacques Derrida, Félix Guattari,
Jacques Ranciére, Michel Foucault, Maurice Blanchot, Julia Kristeva, Linda
Hutcheon, among others who can wander through the established relations of this
work.Thus, it constitutes the theoretical and discussion corpus responding to the
qualitative implicit requirements of this dissertation. The literary body of this research
has a selection of lyrics by Renato Russo and poems by Carlos Drummond
presented as subjectivity corpus embracing ideas, affects, perceptions and images |
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