Nostalgia do espaço e do tempo: uma leitura da obra memorialística de Câmara Cascudo
This dissertation addresses the work of the memoirs of the potiguar writer Luís da Câmara Cascudo (1898 - 1986) from an integrated reading of four works that comprise: O Tempo e Eu (1968), Pequeno Manual do Doente Aprendiz (1969), Na Ronda do Tempo (1971) and Ontem (1972). Produced under the cont...
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| Formato: | Dissertação |
| Idioma: | por |
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Universidade Federal do Rio Grande do Norte
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| Endereço do item: | https://repositorio.ufrn.br/jspui/handle/123456789/19409 |
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| Resumo: | This dissertation addresses the work of the memoirs of the potiguar writer Luís da Câmara
Cascudo (1898 - 1986) from an integrated reading of four works that comprise: O Tempo e Eu
(1968), Pequeno Manual do Doente Aprendiz (1969), Na Ronda do Tempo (1971) and Ontem
(1972). Produced under the contingency of the modern movement and urban reform,
memories Cascudo evoke the old landscapes of old, populated by those who belonged to the
old romantic and provincial Natal that no longer exists, but which still survives in the
idealized memory author and that is (re)constructed by him from a written permeated with
touches of imagination and a sense of nostalgia. Seeking to analyze how is the process of
building memoirist of Cascudo, as well as reflect on the role that memory plays in the
(re)construction of a time and a lost space, we used the studies of Maurice Halbwachs (2006)
and Ecléa Bosi (1994). Within this theoretical framework, we seek, above all, to understand
not only how the lived experiences of Cascudo will work in this matter of his memory, but
also as this will guide a writing that touches on the history and social frameworks of the past |
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