Color in films: a critical overview
The use of color in cinema involves explanations and associations at different levels: (1) the physical, in the way that color can affect the viewer giving him/her a more or less pleasing feeling; (2) the psychological, because color can stimulate psychological responses; and (3) the aesthetic, b...
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ri-123456789-193072017-11-03T08:06:08Z Color in films: a critical overview Costa, Maria Helena Braga e Vaz da Cinema Color Film Aesthetics The use of color in cinema involves explanations and associations at different levels: (1) the physical, in the way that color can affect the viewer giving him/her a more or less pleasing feeling; (2) the psychological, because color can stimulate psychological responses; and (3) the aesthetic, because colors can be chosen selectively according to the effect they can produce, considering their balance, proportion and composition within the film. This article will consider these three characteristics of color and some film examples, in order to discuss about the role of color in cinema Não consta 2015-10-20T22:09:49Z 2015-10-20T22:09:49Z 2011 article COSTA, Maria Helena Braga e Vaz da. Color in films: a critical overview. Crítica Cultural, Santa Catarina, v. 6, n. 1, p. 333-346, 2011. ISSN:1980-6493. Disponível em: <http://www.portaldeperiodicos.unisul.br/index.php/Critica_Cultural/article/view/741/pdf_12> Acesso em: 02/06/2015 1980-6493 https://repositorio.ufrn.br/jspui/handle/123456789/19307 por Acesso Aberto application/pdf Universidade do Sul de Santa Catarina Brasil UNISUL |
| institution |
Repositório Institucional |
| collection |
RI - UFRN |
| language |
por |
| topic |
Cinema Color Film Aesthetics |
| spellingShingle |
Cinema Color Film Aesthetics Costa, Maria Helena Braga e Vaz da Color in films: a critical overview |
| description |
The use of color in cinema involves explanations and associations at different
levels: (1) the physical, in the way that color can affect the viewer giving him/her a
more or less pleasing feeling; (2) the psychological, because color can stimulate
psychological responses; and (3) the aesthetic, because colors can be chosen
selectively according to the effect they can produce, considering their balance,
proportion and composition within the film. This article will consider these three
characteristics of color and some film examples, in order to discuss about the role of
color in cinema |
| format |
article |
| author |
Costa, Maria Helena Braga e Vaz da |
| author_facet |
Costa, Maria Helena Braga e Vaz da |
| author_sort |
Costa, Maria Helena Braga e Vaz da |
| title |
Color in films: a critical overview |
| title_short |
Color in films: a critical overview |
| title_full |
Color in films: a critical overview |
| title_fullStr |
Color in films: a critical overview |
| title_full_unstemmed |
Color in films: a critical overview |
| title_sort |
color in films: a critical overview |
| publisher |
Universidade do Sul de Santa Catarina |
| publishDate |
2015 |
| url |
https://repositorio.ufrn.br/jspui/handle/123456789/19307 |
| work_keys_str_mv |
AT costamariahelenabragaevazda colorinfilmsacriticaloverview |
| _version_ |
1773965522879119360 |