Ser(Tão) Seridó em suas cartografias espaciais

The aim of this work is to analyze the spatial frames of reference of the Seridó a region Iocated in the hinterlands of Rio Grande do Norte state from the following texts: Homens de Outrora (1941), by Manuel Dantas; Seridó (1954), by José Augusto Bezerra de Medeiros; Velhos Costumes do Meu Sertã...

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Autor principal: Medeiros Neta, Olívia Morais de
Outros Autores: Oliveira, Iranilson Buriti de
Formato: Dissertação
Idioma:por
Publicado em: Universidade Federal do Rio Grande do Norte
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Endereço do item:https://repositorio.ufrn.br/jspui/handle/123456789/16991
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Resumo:The aim of this work is to analyze the spatial frames of reference of the Seridó a region Iocated in the hinterlands of Rio Grande do Norte state from the following texts: Homens de Outrora (1941), by Manuel Dantas; Seridó (1954), by José Augusto Bezerra de Medeiros; Velhos Costumes do Meu Sertão (1965), by Juvenal Lamartine de Faria; and Sertões do Seridó (1980), by Oswaldo Lamartine de Faria. The historiographical discourse will be investigated as to representations of space and the frames of reference that demarcate it. We highlight the space of 1 as delimited by the subjectivity and significances expressed by each author, considering closely the relation between author, writing and body, either in historiography or in the subjects that give shape to the Seridó region in their writings. The Seridó is particularly framed in the relevant historiography as the hinterland (sertão) space, where the drought is a representation referred to recurrently, and as a space of fight , in which man and nature would be in constant struggle, challenging each other. Spatial frames of reference are then situated between the 1 and notions of hinterland and fight with nature