Santo de casa "faz" milagre: Luíz da Câmara Cascudo, o padroeiro literário da cidade de Natal
Assuming that the subject is a draft work in permanent invention, the biographical texts, memories written by Luís da Câmara Cascudo, between 1967 and 1969 were read as part of a discursive strategy created by the potiguar memorialist regarding the construction of a self-image profoundly connec...
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| Formato: | Dissertação |
| Idioma: | por |
| Publicado em: |
Universidade Federal do Rio Grande do Norte
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| Endereço do item: | https://repositorio.ufrn.br/jspui/handle/123456789/16967 |
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| Resumo: | Assuming that the subject is a draft work in permanent invention, the biographical texts,
memories written by Luís da Câmara Cascudo, between 1967 and 1969 were read as
part of a discursive strategy created by the potiguar memorialist regarding the
construction of a self-image profoundly connected to the space of his house, which
decisively collaborated so that the province teacher and researcher after announcing
his official retirement in 1968 was revered in the city where he had been born, grown
up and lived throughout his whole life and considered as the prophet of his own
country (or rather, as the literary patron of Natal). Our work begins with some reading
about the manner as the potiguar memorialist selected, ordered and spatialized his
childhood memories. In the following chapter, we problematized the meanings assigned
by Câmara Cascudo to his house in Tirol - where the young prince Cascudinho (little
Cascudo) used to live - transformed into the neighborhood principality. It finishes with
memories from the retired old man with the purpose of making us think about the
sacredness process master Cascudo s house has gone through. The space where he had
lived for almost forty years of his life and produced a great part of his works, was
elected as a monument in his memory, as his own incarnation, as guarantee of his
eternity and perenniality, as a sanctuary and place of worship and have been kept by the
actions that, still nowadays, institutionalize it as his sacred space |
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