Cinema itinerante no Rio Grande do Norte: aspectos da recepção
In itinerant film projects made in Brazil, the unique experience of watching movies on the big screen is held in open spaces, through the establishment of a contemporary ritual, under which the presence of spectators is primordial. Considering this dynamic of the performance of itinerant cinema, the...
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| Formato: | Dissertação |
| Idioma: | por |
| Publicado em: |
Universidade Federal do Rio Grande do Norte
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| Endereço do item: | https://repositorio.ufrn.br/jspui/handle/123456789/16411 |
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| Resumo: | In itinerant film projects made in Brazil, the unique experience of watching movies on the big
screen is held in open spaces, through the establishment of a contemporary ritual, under which
the presence of spectators is primordial. Considering this dynamic of the performance of
itinerant cinema, the main objective of this research is to analyze the process of reception of
the spectators of the sessions of Cine Sesi Cultural, conducted by the Social Service Industry -
Sesi, in Rio Grande do Norte state. The body of research was composed by the audience of
the movie sessions of the edition developed in 2010. Analyses were made from the look on
the specific audience of open sessions of this cinema project throughout a case study.
Theoretical authors of Latin American as Jesus Martin-Barbero, Guillermo Orozco, Eliseo
Veron and Nestor Garcia Canclini, which have important theoretical basis for the analysis of
research on the cinematographic reception of the spectators, were taken as a basis. In this
discussion are associated with contributions from Brazilian authors as Roseli Paulino,
Fernando Mascarello, Mauro Wilton Souza, Nilda Jacks and Carolina Escostesguy. Besides
the reception study, the research focuses on aspects that relate to and explain the
circumstances in which itinerant cinema emerges as an alternative exhibition, for example, the
context of the exhibition of films in the country, lack of public policies in the audiovisual
sector, and mainly the closing of movie theaters in the inner cities of the country and the
consequent migration of these rooms to the malls. Seeking to reduce the existing gap in the
studies of the reception of spectators to the cinema in the country, this research presents a
deeper analysis of the reception of the public of the itinerant cinema as a contribution to an
important database for the diagnosis of projects such as the Cine Sesi Cultural |
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