Percursos para novas imagens: a produção audiovisual por não videntes
The purpose is to write a reflection on the audiovisual production by the visually impaired. The starting point for this research was a documentary video production workshop offered by the Instituto de Educação e Reabilitação de Cegos do Rio Grande do Norte - IERC / RN, with the participation of...
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| Formato: | Dissertação |
| Idioma: | por |
| Publicado em: |
Universidade Federal do Rio Grande do Norte
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| Endereço do item: | https://repositorio.ufrn.br/jspui/handle/123456789/13626 |
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| Resumo: | The purpose is to write a reflection on the audiovisual production by the visually
impaired. The starting point for this research was a documentary video
production workshop offered by the Instituto de Educação e Reabilitação de
Cegos do Rio Grande do Norte - IERC / RN, with the participation of blind
people with low vision and sighted employees of the institution. The research
approach follows the precepts of complex thinking, where work is woven into
the network, along with the researched. The theoretical framework is based on
the theory of French sociologist Edgar Morin, and other important thinkers for
this work, namely: Erving Goffman, Paulo Freire, Michel Foucault, Edward Said,
Jacques Aumont, Phillpe Dubois, as well as scholars who think and theorize
about his own condition and conduct discussions on the issue of blindness:
Francisco Jose de Lima, Evgen Bavcar Jacques Lusseyran and Joana
Belarmino. The research was formulated based on the statement in the interest
of respondents to understand and produce visual images using video as a tool.
In this sense, the methodology adopted approaches of action research in
constructing the text and dialogue with the participation of those involved in the
project. The technique of gathering the information was based on ethnographic
description describing the dynamics of the workshop, the relationships between
participants, relationship to the other that sees and the manner of operation of
equipment. The main focus is the relationship based on dialogue of information,
attitudes and ways of knowing from experience and capacity developed and
obstacles for blind people to produce visual images using other benchmarks,
such as touch, smell and time dimension and space, and add references that
give new meaning to the guidelines based on visuality of ministering to the
workshop. It is also held to discuss aspects related to the concept of image with
sociological reflection about the audiovisual production made by blind people
socially constructed and perpetuated by what Edgar Morin called cultural
imprinting. Thus we attempted to walk the route with its obstacles and
achievements in the production of new images that were seen |
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