Dadi e o teatro de bonecos: memória, brinquedo e brincadeira
The puppet theater is the theme of this dissertation, with a particular treatment of Memory, Toy and Jokes, focused especially on a Calungueira, maker of dolls, Ieda Maria Medeiros da Silva, known by Dadi. Currently with 71 years old, Dadi resides in Carnauba dos Dantas / RN and not only restrict...
Na minha lista:
| Autor principal: | |
|---|---|
| Outros Autores: | |
| Formato: | Dissertação |
| Idioma: | por |
| Publicado em: |
Universidade Federal do Rio Grande do Norte
|
| Assuntos: | |
| Endereço do item: | https://repositorio.ufrn.br/jspui/handle/123456789/13622 |
| Tags: |
Adicionar Tag
Sem tags, seja o primeiro a adicionar uma tag!
|
| Resumo: | The puppet theater is the theme of this dissertation, with a particular treatment of
Memory, Toy and Jokes, focused especially on a Calungueira, maker of dolls, Ieda
Maria Medeiros da Silva, known by Dadi. Currently with 71 years old, Dadi resides in
Carnauba dos Dantas / RN and not only restricted to "get" the dolls to play, to enact
stories by various characters. Build the dolls, dresses, give life, movement. In Rio
Grande do Norte, the Puppet Theater, named "João Redondo," is measured by a
historically male character of tradition, represented by some masters who have died
or by their pupils, or even by the players who have no lineage of masters in their
families but learned from several of them and, gradually, were included in this playful
universe. Dadi passes this potiguar genealogy and going to suggesting a variety of
transgressions, beyond, with its inventiveness, both in their presentations and in her
life, which I did elect her and choose as a singular object in the course of my inquiries.
In this study, I use the theoretical and methodological framework of social sciences, in
particular the references coming from studies of culture, such as approaches of
memory and tradition of authors such as Maurice Halbwachs and Paul Zumthor,
among others. The field work was systematized, prioritizing the observation
participant and permanent dialogue. I used different strategies for registration, as
semi-open interviews, documentary video, audio narratives, photographic and
videographic record, giving the work a current relevance to the dialogue with various
elements, expanding the initial project, which turned into research for the dissertation |
|---|