Gerald Thomas e a (des)encenação do mundo: as paisagens visuais como grafia de intertextualidades, citações e hipertextos
This work is the result of a personal uneasy about the form and development taken by contemporaneous theater concerning its relationship with other media to create new hybrid organisms and organizing itself through new possibilities, connections, as well as with different levels of arrangements i...
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| Formato: | Dissertação |
| Idioma: | por |
| Publicado em: |
Universidade Federal do Rio Grande do Norte
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| Endereço do item: | https://repositorio.ufrn.br/jspui/handle/123456789/12437 |
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| Resumo: | This work is the result of a personal uneasy about the form and development taken by
contemporaneous theater concerning its relationship with other media to create new
hybrid organisms and organizing itself through new possibilities, connections, as well as
with different levels of arrangements in the construction of the scene. The purpose of
this research is to study the connections between the scene and the media within the
context of the formation of hybrid organism wich is the key element. That stands for an
aesthetic characteristic of the post-dramatic condition of contemporary theatre in Brazil.
Thus, this work will investigate the concept of visual landscapes within the context of
Gerald Thomas Sievers work in Brazil in the period of the first decade of twenty-first
century having the play Rainha Mentira (2007) (Queen Liar, 2007) as the main
empirical object of analysis, discussion and application of the framework developed in
the text |
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