The Body Preparation of the Scenic Artist as Potential Evocation for the Process of Creation

This article aims at analyzing the space for the scenic body preparation as a potential place for the process of creation. This study is thought out and developed based on our experiences as dancers, actress, researchers and academic professors who provide dancing and acting training. Through these...

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Principais autores: Tourinho, Ligia Losada, Souza, Maria Inês Galvão
Formato: Online
Idioma:por
eng
Publicado em: ABRACE / ANDA / ANPAP / ANPPOM
Endereço do item:https://periodicos.ufrn.br/artresearchjournal/article/view/9535
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spelling oai:periodicos.ufrn.br:article-95352020-10-05T21:56:38Z The Body Preparation of the Scenic Artist as Potential Evocation for the Process of Creation A Preparação Corporal para a Cena como Evocação de Potências para o Processo de Criação Tourinho, Ligia Losada Souza, Maria Inês Galvão Body Preparation Dance Theater Body Artistic Process of Creation Preparação corporal Dança Teatro Corpo Criação Artística This article aims at analyzing the space for the scenic body preparation as a potential place for the process of creation. This study is thought out and developed based on our experiences as dancers, actress, researchers and academic professors who provide dancing and acting training. Through these different perspectives, it has been possible to think through body preparation regarding some scenic artists, as well as understanding our own experiences in dialogue with authors who consider the scenic space not only a sacred site of the human being, but also a space of instability, discovery and intuition. Therefore we propose a reflection on the stages of the process of creation as well as suggesting the contents that may support the investigation in a rehearsal room and the sharing of experiences lived since the beginning of the body preparation project.English version: Felipe Vieira Valentim. O presente artigo tem o intuito de analisar o espaço da preparação corporal para a cena como local de evocação de potências para o processo de criação. Apontamos e aprofundamos pensamentos sobre a preparação do corpo na dança e no teatro a partir do atravessamento de experiências de duas dançarinas-atrizes-pesquisadoras-docentes com formação nestas áreas que desenvolvem juntas uma pesquisa voltada para a preparação corporal dos artistas da cena. Iremos falar de nossas próprias experiências, dialogando com autores que vislumbraram a cena como espaço sagrado do humano, como espaço da instabilidade, da descoberta, da intuição. Propomos uma reflexão sobre as etapas do processo de criação, sugestão de conteúdos que possam ancorar os trabalhos em sala de ensaio e a partilha de experiências vividas desde o início do projeto de preparação corporal. ABRACE / ANDA / ANPAP / ANPPOM 2016-12-18 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed article Avaliado pelos pares application/pdf application/pdf https://periodicos.ufrn.br/artresearchjournal/article/view/9535 Art Research Journal: Revista de Pesquisa em Artes; Vol. 3 No. 2 (2016): Dance, art of the body, and other bodies of arts; 178-193 ARJ – Art Research Journal: Revista de Pesquisa em Artes; v. 3 n. 2 (2016): Dança, arte do corpo e outros corpos das artes; 178-193 2357-9978 10.36025/arj.v3i2 por eng https://periodicos.ufrn.br/artresearchjournal/article/view/9535/7813 https://periodicos.ufrn.br/artresearchjournal/article/view/9535/8280 Copyright (c) 2016 Ligia Losada Tourinho, Maria Inês Galvão Souza
institution Periódicos UFRN
collection Portal de Pediódicos Eletrônicos da UFRN
language por
eng
format Online
author Tourinho, Ligia Losada
Souza, Maria Inês Galvão
spellingShingle Tourinho, Ligia Losada
Souza, Maria Inês Galvão
The Body Preparation of the Scenic Artist as Potential Evocation for the Process of Creation
author_facet Tourinho, Ligia Losada
Souza, Maria Inês Galvão
author_sort Tourinho, Ligia Losada
title The Body Preparation of the Scenic Artist as Potential Evocation for the Process of Creation
title_short The Body Preparation of the Scenic Artist as Potential Evocation for the Process of Creation
title_full The Body Preparation of the Scenic Artist as Potential Evocation for the Process of Creation
title_fullStr The Body Preparation of the Scenic Artist as Potential Evocation for the Process of Creation
title_full_unstemmed The Body Preparation of the Scenic Artist as Potential Evocation for the Process of Creation
title_sort body preparation of the scenic artist as potential evocation for the process of creation
description This article aims at analyzing the space for the scenic body preparation as a potential place for the process of creation. This study is thought out and developed based on our experiences as dancers, actress, researchers and academic professors who provide dancing and acting training. Through these different perspectives, it has been possible to think through body preparation regarding some scenic artists, as well as understanding our own experiences in dialogue with authors who consider the scenic space not only a sacred site of the human being, but also a space of instability, discovery and intuition. Therefore we propose a reflection on the stages of the process of creation as well as suggesting the contents that may support the investigation in a rehearsal room and the sharing of experiences lived since the beginning of the body preparation project.English version: Felipe Vieira Valentim.
publisher ABRACE / ANDA / ANPAP / ANPPOM
publishDate 2016
url https://periodicos.ufrn.br/artresearchjournal/article/view/9535
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