The memory sticks to the skin or the mature dance of the body

This is about a reflection from the mature body that dances as an act of power that extends your movement experiences and dance textures. The main goal of this text is to reflect on the bodies matured in the dance and to materialize it came from a qualitative research under the bias of the speech an...

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Autor principal: Vieira, Marcilio de Souza
Formato: Online
Idioma:por
eng
Publicado em: ABRACE / ANDA / ANPAP / ANPPOM
Endereço do item:https://periodicos.ufrn.br/artresearchjournal/article/view/9525
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spelling oai:periodicos.ufrn.br:article-95252020-10-05T21:57:05Z The memory sticks to the skin or the mature dance of the body A memória gruda na pele ou a dança madura do corpo Vieira, Marcilio de Souza Dance Mature bodies Companies Experience Dança Corpos amadurecidos Companhias 2 Experiência This is about a reflection from the mature body that dances as an act of power that extends your movement experiences and dance textures. The main goal of this text is to reflect on the bodies matured in the dance and to materialize it came from a qualitative research under the bias of the speech analysis. The body in dance, regardless of its language also grows old. For these dancers, dance at maturity values the personal qualities of each artist, technical virtuosity turns into a whole body work and this is reinvented in each poetic movement that is ethical and aesthetic. This body matured through age, looks for another way of dance in which is present refreshment and slowness.English version: Lívia Oliveira Trata-se de uma reflexão a partir do corpo maduro que dança como um ato de potência que amplia suas experiências de movimento e texturas de dança. O texto objetiva refletir sobre os corpos amadurecidos na dança e para materializá-lo partiu-se da pesquisa qualitativa sob o viés da análise do discurso. O corpo na dança, independentemente de sua linguagem também envelhece. Para esses bailarinos/dançarinos a dança na maturidade valoriza as qualidades pessoais de cada artista, o virtuosismo técnico dá lugar ao trabalho do corpo como um todo e este é reinventado a cada movimento poético que é ético e estético. Esse corpo amadurecido por via da idade procura outra forma de dançar em que está presente o repouso e a lentidão. ABRACE / ANDA / ANPAP / ANPPOM 2016-12-18 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed article Avaliado pelos pares application/pdf application/pdf https://periodicos.ufrn.br/artresearchjournal/article/view/9525 Art Research Journal: Revista de Pesquisa em Artes; Vol. 3 No. 2 (2016): Dance, art of the body, and other bodies of arts; 160-177 ARJ – Art Research Journal: Revista de Pesquisa em Artes; v. 3 n. 2 (2016): Dança, arte do corpo e outros corpos das artes; 160-177 2357-9978 10.36025/arj.v3i2 por eng https://periodicos.ufrn.br/artresearchjournal/article/view/9525/7812 https://periodicos.ufrn.br/artresearchjournal/article/view/9525/8279 Copyright (c) 2016 Marcilio de Souza Vieira
institution Periódicos UFRN
collection Portal de Pediódicos Eletrônicos da UFRN
language por
eng
format Online
author Vieira, Marcilio de Souza
spellingShingle Vieira, Marcilio de Souza
The memory sticks to the skin or the mature dance of the body
author_facet Vieira, Marcilio de Souza
author_sort Vieira, Marcilio de Souza
title The memory sticks to the skin or the mature dance of the body
title_short The memory sticks to the skin or the mature dance of the body
title_full The memory sticks to the skin or the mature dance of the body
title_fullStr The memory sticks to the skin or the mature dance of the body
title_full_unstemmed The memory sticks to the skin or the mature dance of the body
title_sort memory sticks to the skin or the mature dance of the body
description This is about a reflection from the mature body that dances as an act of power that extends your movement experiences and dance textures. The main goal of this text is to reflect on the bodies matured in the dance and to materialize it came from a qualitative research under the bias of the speech analysis. The body in dance, regardless of its language also grows old. For these dancers, dance at maturity values the personal qualities of each artist, technical virtuosity turns into a whole body work and this is reinvented in each poetic movement that is ethical and aesthetic. This body matured through age, looks for another way of dance in which is present refreshment and slowness.English version: Lívia Oliveira
publisher ABRACE / ANDA / ANPAP / ANPPOM
publishDate 2016
url https://periodicos.ufrn.br/artresearchjournal/article/view/9525
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