Modern Theatre’s Expansion into Reality
Although the tension between the real and the illusion based upon it are at the heart of the theatrical experience, in the final years of the twentieth century and the opening years of the twenty-first, many theatres in Europe and the United States became particularly interested in calling attention...
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oai:periodicos.ufrn.br:article-84292020-10-05T22:18:08Z Modern Theatre’s Expansion into Reality Expansão do teatro moderno rumo à realidade Carlson, Marvin real post-modern contemporary theater Real pós-moderno teatro contemporâneo Although the tension between the real and the illusion based upon it are at the heart of the theatrical experience, in the final years of the twentieth century and the opening years of the twenty-first, many theatres in Europe and the United States became particularly interested in calling attention to the real in their work. Although Hans-Thies Lehmann in his Postmodern Theatre (2006) devotes a few pages to this phenomenon, as one type of postmodern experimentation, what he designates as “the irruption of the real” he considers only one among many types of postmodern experimentation. I will argue, on the contrary, that it constitutes a major shift in the practical and phenomenological world of theatre, and a turning away from mimesis, which has been at the heart of the theatre ever since Aristotle. English version by Leslie Damasceno. Embora a tensão entre o real e a ilusão baseada no real seja o coração da experiência teatral, nos anos finais do século XX e nos primeiros do XXI, no entanto, muitos teatros na Europa e nos Estados Unidos tornaram-se particularmente interessados em chamar a atenção para o real em suas produções. Embora Hans-Thies Lehmann em seu Teatro pós-dramático (2006) dedique algumas páginas para esse fenômeno que identifica como "irrupção do real", ele o considera apenas um entre muitos tipos de experimentação pós-moderna. Vou argumentar, ao contrário, que se trata de uma mudança significativa no mundo prático e fenomenológico do teatro, e um afastamento da mimesis, cerne do teatro desde Aristóteles.Tradução do inglês para o português de Stephan Baumgärtel (Universidade Estadual de Santa Catarina - UDESC) ABRACE / ANDA / ANPAP / ANPPOM 2016-05-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/pdf application/vnd.openxmlformats-officedocument.wordprocessingml.document https://periodicos.ufrn.br/artresearchjournal/article/view/8429 Art Research Journal: Revista de Pesquisa em Artes; Vol. 3 No. 1 (2016): Theatre in the expanded field; 1-19 ARJ – Art Research Journal: Revista de Pesquisa em Artes; v. 3 n. 1 (2016): Teatro em campo expandido; 1-19 2357-9978 10.36025/arj.v3i1 por eng https://periodicos.ufrn.br/artresearchjournal/article/view/8429/6804 https://periodicos.ufrn.br/artresearchjournal/article/view/8429/6818 https://periodicos.ufrn.br/artresearchjournal/article/view/8429/10372 Copyright (c) 2016 Marvin Carlson |
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Portal de Pediódicos Eletrônicos da UFRN |
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por eng |
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Online |
| author |
Carlson, Marvin |
| spellingShingle |
Carlson, Marvin Modern Theatre’s Expansion into Reality |
| author_facet |
Carlson, Marvin |
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Carlson, Marvin |
| title |
Modern Theatre’s Expansion into Reality |
| title_short |
Modern Theatre’s Expansion into Reality |
| title_full |
Modern Theatre’s Expansion into Reality |
| title_fullStr |
Modern Theatre’s Expansion into Reality |
| title_full_unstemmed |
Modern Theatre’s Expansion into Reality |
| title_sort |
modern theatre’s expansion into reality |
| description |
Although the tension between the real and the illusion based upon it are at the heart of the theatrical experience, in the final years of the twentieth century and the opening years of the twenty-first, many theatres in Europe and the United States became particularly interested in calling attention to the real in their work. Although Hans-Thies Lehmann in his Postmodern Theatre (2006) devotes a few pages to this phenomenon, as one type of postmodern experimentation, what he designates as “the irruption of the real” he considers only one among many types of postmodern experimentation. I will argue, on the contrary, that it constitutes a major shift in the practical and phenomenological world of theatre, and a turning away from mimesis, which has been at the heart of the theatre ever since Aristotle. English version by Leslie Damasceno. |
| publisher |
ABRACE / ANDA / ANPAP / ANPPOM |
| publishDate |
2016 |
| url |
https://periodicos.ufrn.br/artresearchjournal/article/view/8429 |
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AT carlsonmarvin moderntheatresexpansionintoreality AT carlsonmarvin expansaodoteatromodernorumoarealidade |
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