Post-production anarchism
Come! Unity Press was an anarchist community in New York City in the mid nineteen-seventies that based its operations on the ideas of Murray Bookchin, the organizer best known for his theory of “Post-Scarcity Anarchism.” Come! Unity Press offered free access for the publishing of literature and visu...
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oai:periodicos.ufrn.br:article-72992020-10-05T21:40:08Z Post-production anarchism Anarquismo pós-produção Werner, Paul Anarchism Art America Consumerism Come! Unity Press. Anarquismo Arte EUA Consumismo Come! Unity Press Come! Unity Press was an anarchist community in New York City in the mid nineteen-seventies that based its operations on the ideas of Murray Bookchin, the organizer best known for his theory of “Post-Scarcity Anarchism.” Come! Unity Press offered free access for the publishing of literature and visual propaganda of all sorts; it attracted a wide range of the underserved and unacknowledged: Native Americans, Puerto-Ricans, blacks, gays. Despite this, and like other cultural movements before it, the project initiated “the metamorphosis of political struggle from a compulsory decision into an object of pleasure, from a means of production into an article of consumption” [Walter Benjamin]. Come! Unity Press was a forerunner of the consumer-oriented cultures of today. This article suggests parallels with the ideology of Cubism and the cultural program of the Bavarian People’s Republic of 1919. A Come! Unity Press foi uma comunidade anarquista dos anos setenta, nascida em New York, que se inspirava nas ideias de Murray Bookchin, mais conhecido pela sua teoria do “Anarquismo Pós-Escassez”. A Come! Unity Press oferecia acesso livre para publicações variadas de literatura e produção visual, o que a levou a atrair um espectro largo de grupos desprivilegiados e marginalizados pela sociedade: nativos americanos, porto-riquenhos, negros, gays, entre outros. Apesar desta postura, como outros movimentos culturais, o projeto cumpriu “a metamorfose da luta política, de vontade de decidir em objeto de prazer contemplativo, de meio de produção em artigo de consumo” [Walter Benjamin]. A Come! Unity Press foi precursora das culturas alternativas norteadas pelo consumo que vemos hoje. Este artigo sugere paralelos entre a Come! Unity Press e as ideologias do Cubismo e do programa cultural da República Popular da Bavária de 1919.Traduzido por Alice Heeren. ABRACE / ANDA / ANPAP / ANPPOM 2015-09-25 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/pdf image/jpeg image/gif https://periodicos.ufrn.br/artresearchjournal/article/view/7299 Art Research Journal: Revista de Pesquisa em Artes; Vol. 2 No. 2 (2015): Confluências/Confluences; 27-39 ARJ – Art Research Journal: Revista de Pesquisa em Artes; v. 2 n. 2 (2015): Confluências/Confluences; 27-39 2357-9978 10.36025/arj.v2i2 por eng https://periodicos.ufrn.br/artresearchjournal/article/view/7299/5776 https://periodicos.ufrn.br/artresearchjournal/article/view/7299/5884 https://periodicos.ufrn.br/artresearchjournal/article/view/7299/10291 https://periodicos.ufrn.br/artresearchjournal/article/view/7299/10292 Copyright (c) 2015 Paul Werner |
| institution |
Periódicos UFRN |
| collection |
Portal de Pediódicos Eletrônicos da UFRN |
| language |
por eng |
| format |
Online |
| author |
Werner, Paul |
| spellingShingle |
Werner, Paul Post-production anarchism |
| author_facet |
Werner, Paul |
| author_sort |
Werner, Paul |
| title |
Post-production anarchism |
| title_short |
Post-production anarchism |
| title_full |
Post-production anarchism |
| title_fullStr |
Post-production anarchism |
| title_full_unstemmed |
Post-production anarchism |
| title_sort |
post-production anarchism |
| description |
Come! Unity Press was an anarchist community in New York City in the mid nineteen-seventies that based its operations on the ideas of Murray Bookchin, the organizer best known for his theory of “Post-Scarcity Anarchism.” Come! Unity Press offered free access for the publishing of literature and visual propaganda of all sorts; it attracted a wide range of the underserved and unacknowledged: Native Americans, Puerto-Ricans, blacks, gays. Despite this, and like other cultural movements before it, the project initiated “the metamorphosis of political struggle from a compulsory decision into an object of pleasure, from a means of production into an article of consumption” [Walter Benjamin]. Come! Unity Press was a forerunner of the consumer-oriented cultures of today. This article suggests parallels with the ideology of Cubism and the cultural program of the Bavarian People’s Republic of 1919. |
| publisher |
ABRACE / ANDA / ANPAP / ANPPOM |
| publishDate |
2015 |
| url |
https://periodicos.ufrn.br/artresearchjournal/article/view/7299 |
| work_keys_str_mv |
AT wernerpaul postproductionanarchism AT wernerpaul anarquismoposproducao |
| _version_ |
1766683043394748416 |