Contemporary Art and New Media: Digital Divide or Hybrid Discourse?
Front of the new media art (NMA) and its hybrid characteristics for debate in economic and cultural development internationally, this article aims to discuss about the context of a collaborative, transdisciplinary research at the intersections of art, science, and technology around the world. New me...
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oai:periodicos.ufrn.br:article-72952020-10-05T21:39:10Z Contemporary Art and New Media: Digital Divide or Hybrid Discourse? Arte Contemporânea e Novas Mídias: Partilha Digital ou Discurso Híbrido? Shanken, Edward New media art hybrid contemporary art art world market value Arte digital híbrido arte contemporânea mundo da arte valor de mercado Front of the new media art (NMA) and its hybrid characteristics for debate in economic and cultural development internationally, this article aims to discuss about the context of a collaborative, transdisciplinary research at the intersections of art, science, and technology around the world. New media expand possibilities for art, and review its aesthetic applications and social implications in science and technology. The debate about the relationship between electronic art and mainstream art has occupied artists, curators, and theorists for many decades and how about NMA has not only tried to place its practices within the theoretical and exhibition contexts of mainstream contemporary art (MCA), but also has developed its own theoretical language and institutional contexts. This text extends the way we understand the relation between the MCA art world, which in the 2000s and 2010s has much more serious competition than ever before, and the NMA, which has achieved a level of self-sustaining autonomous independence that is perhaps unprecedented. This relationship bring discussions of market value, its authority, pluralism and internal frictions. A arte digital e suas características híbridas embasam debates no desenvolvimento econômico e cultural, internacionalmente, e este artigo tem como objetivo discutir tal contexto enquanto uma pesquisa transdisciplinar colaborativa nas intersecções entre arte, ciência e tecnologia. Novos meios de comunicação expandem as possibilidades na arte, reveem suas aplicações estéticas e implicações sociais no campo da ciência e da tecnologia. A relação entre arte eletrônica e a produção mainstream ocupa artistas, curadores e teóricos há muitas décadas, assim como coloca suas práticas dentro dos contextos teóricos e de exposição do mercado de arte contemporânea, para além do desenvolvimento de sua própria linguagem teórica e dos contextos institucionais. Este texto trata do modo como se entende a relação entre o mundo da arte contemporânea, o qual na década de 2000 e 2010 consolidou mais do que nunca uma concorrência acirrada, e a arte digital, a qual alcançou um nível de autonomia e autogestão sem precedentes. Este relacionamento traz discussões sobre o valor de mercado, a autoria, o pluralismo e os atritos internos.Tradução de Giovanna Casimiro. ABRACE / ANDA / ANPAP / ANPPOM 2015-09-25 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/pdf https://periodicos.ufrn.br/artresearchjournal/article/view/7295 Art Research Journal: Revista de Pesquisa em Artes; Vol. 2 No. 2 (2015): Confluências/Confluences; 75-98 ARJ – Art Research Journal: Revista de Pesquisa em Artes; v. 2 n. 2 (2015): Confluências/Confluences; 75-98 2357-9978 10.36025/arj.v2i2 por eng https://periodicos.ufrn.br/artresearchjournal/article/view/7295/5740 https://periodicos.ufrn.br/artresearchjournal/article/view/7295/5889 Copyright (c) 2015 Edward Shanken |
| institution |
Periódicos UFRN |
| collection |
Portal de Pediódicos Eletrônicos da UFRN |
| language |
por eng |
| format |
Online |
| author |
Shanken, Edward |
| spellingShingle |
Shanken, Edward Contemporary Art and New Media: Digital Divide or Hybrid Discourse? |
| author_facet |
Shanken, Edward |
| author_sort |
Shanken, Edward |
| title |
Contemporary Art and New Media: Digital Divide or Hybrid Discourse? |
| title_short |
Contemporary Art and New Media: Digital Divide or Hybrid Discourse? |
| title_full |
Contemporary Art and New Media: Digital Divide or Hybrid Discourse? |
| title_fullStr |
Contemporary Art and New Media: Digital Divide or Hybrid Discourse? |
| title_full_unstemmed |
Contemporary Art and New Media: Digital Divide or Hybrid Discourse? |
| title_sort |
contemporary art and new media: digital divide or hybrid discourse? |
| description |
Front of the new media art (NMA) and its hybrid characteristics for debate in economic and cultural development internationally, this article aims to discuss about the context of a collaborative, transdisciplinary research at the intersections of art, science, and technology around the world. New media expand possibilities for art, and review its aesthetic applications and social implications in science and technology. The debate about the relationship between electronic art and mainstream art has occupied artists, curators, and theorists for many decades and how about NMA has not only tried to place its practices within the theoretical and exhibition contexts of mainstream contemporary art (MCA), but also has developed its own theoretical language and institutional contexts. This text extends the way we understand the relation between the MCA art world, which in the 2000s and 2010s has much more serious competition than ever before, and the NMA, which has achieved a level of self-sustaining autonomous independence that is perhaps unprecedented. This relationship bring discussions of market value, its authority, pluralism and internal frictions. |
| publisher |
ABRACE / ANDA / ANPAP / ANPPOM |
| publishDate |
2015 |
| url |
https://periodicos.ufrn.br/artresearchjournal/article/view/7295 |
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AT shankenedward contemporaryartandnewmediadigitaldivideorhybriddiscourse AT shankenedward artecontemporaneaenovasmidiaspartilhadigitaloudiscursohibrido |
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