Research, Experimentation and Creation in 20th century Theatre
The emergence of the avant-garde art in the nineteenth century affected the old conventions and turned artists into experimenters and also researchers, in the scientific sense of the term. However, the fact that being an experimenter does not make the artist necessarily a researcher. In the theatric...
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oai:periodicos.ufrn.br:article-52612020-10-05T21:10:19Z Research, Experimentation and Creation in 20th century Theatre Pesquisa, experimentação e criação em teatro no século XX De Marinis, Marco artista experimentador artista pesquisador laboratório teatral The emergence of the avant-garde art in the nineteenth century affected the old conventions and turned artists into experimenters and also researchers, in the scientific sense of the term. However, the fact that being an experimenter does not make the artist necessarily a researcher. In the theatrical field we can distinguish the two ones: 1) Experimenting artists testing new means of expression (Jarry, Artaud, Kantor, Carmelo Bene and Brook); 2) Researching artists seeking new principles, forms, languages and knowledge (Appia, Puchs, Craig, Stanislavski, Meyerhold, Copeau, Osterwa, Decroux among others). In the latter case, research occupies a special place, where director-pedagogues devoted it the time that was not granted before, thus transforming the school into a space also dedicated to experimentation and research, in a process able to modify the researchers themselves. The analysis of the examples of the theatrical laboratory of Decroux, Grotowski and Barba clarifies notions of progress, development, discovery and demonstration in art research, particularly in the theater.Keywords: experimenting artist; researching artist; theatrical laboratory. O surgimento das vanguardas artísticas no século XIX afetou as velhas convenções e transformou os artistas em experimentadores e também em pesquisadores, no sentido científico do termo. Porém, o fato de ser um experimentador não torna o artista necessariamente um pesquisador. No domínio teatral podemos estabelecer uma distinção entre os dois: 1) Artistas experimentadores testando novos meios de expressão (Jarry, Artaud, Kantor, Carmelo Bene e Brook); 2) Artistas pesquisadores buscando novos princípios, formas, linguagens e conhecimentos (Appia, Puchs, Craig, Stanislavski, Meyerhold, Copeau, Osterwa, Decroux, entre outros). No último caso a pesquisa ocupa lugar privilegiado, onde encenadores-pedagogos dedicam a ela um tempo antes não concedido, transformando, assim, a escola num espaço também dedicado à experimentação e à pesquisa, num processo capaz de modificar os próprios pesquisadores. A análise dos exemplos de laboratório teatral de Decroux, Grotowski e Barba esclarecem noções de progresso, desenvolvimento, descoberta e demonstração na pesquisa em arte, particularmente no teatro.Palavras-chave: artista experimentador; artista pesquisador; laboratório teatral ABRACE / ANDA / ANPAP / ANPPOM 2014-05-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Invited Essays application/pdf application/pdf https://periodicos.ufrn.br/artresearchjournal/article/view/5261 Art Research Journal: Revista de Pesquisa em Artes; Vol. 1 No. 2 (2014): The Concept of Research in the Arts; 21-38 ARJ – Art Research Journal: Revista de Pesquisa em Artes; v. 1 n. 2 (2014): O conceito de pesquisa na pesquisa em artes; 21-38 2357-9978 10.36025/arj.v1i2 por eng https://periodicos.ufrn.br/artresearchjournal/article/view/5261/4423 https://periodicos.ufrn.br/artresearchjournal/article/view/5261/4424 Copyright (c) 2014 Marco De Marinis |
| institution |
Periódicos UFRN |
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Portal de Pediódicos Eletrônicos da UFRN |
| language |
por eng |
| format |
Online |
| author |
De Marinis, Marco |
| spellingShingle |
De Marinis, Marco Research, Experimentation and Creation in 20th century Theatre |
| author_facet |
De Marinis, Marco |
| author_sort |
De Marinis, Marco |
| title |
Research, Experimentation and Creation in 20th century Theatre |
| title_short |
Research, Experimentation and Creation in 20th century Theatre |
| title_full |
Research, Experimentation and Creation in 20th century Theatre |
| title_fullStr |
Research, Experimentation and Creation in 20th century Theatre |
| title_full_unstemmed |
Research, Experimentation and Creation in 20th century Theatre |
| title_sort |
research, experimentation and creation in 20th century theatre |
| description |
The emergence of the avant-garde art in the nineteenth century affected the old conventions and turned artists into experimenters and also researchers, in the scientific sense of the term. However, the fact that being an experimenter does not make the artist necessarily a researcher. In the theatrical field we can distinguish the two ones: 1) Experimenting artists testing new means of expression (Jarry, Artaud, Kantor, Carmelo Bene and Brook); 2) Researching artists seeking new principles, forms, languages and knowledge (Appia, Puchs, Craig, Stanislavski, Meyerhold, Copeau, Osterwa, Decroux among others). In the latter case, research occupies a special place, where director-pedagogues devoted it the time that was not granted before, thus transforming the school into a space also dedicated to experimentation and research, in a process able to modify the researchers themselves. The analysis of the examples of the theatrical laboratory of Decroux, Grotowski and Barba clarifies notions of progress, development, discovery and demonstration in art research, particularly in the theater.Keywords: experimenting artist; researching artist; theatrical laboratory. |
| publisher |
ABRACE / ANDA / ANPAP / ANPPOM |
| publishDate |
2014 |
| url |
https://periodicos.ufrn.br/artresearchjournal/article/view/5261 |
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