As tensões do jardim: a construção discursiva da epifania no conto "Amor", de Clarice Lispector

This work offers a discursive description of what has been called “epiphany” and “undecipherability” in Clarice Lispector’s work by literary criticism (CAMPOS, 2017; SÁ, 1979). In order to analyse the particular arrangement of the epiphany on Lispector’s “Amor”, theoretical tools from French school...

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Principais autores: Lindenberg Lemos, Carolina, Farias Mendes, Beatriz
Formato: Online
Idioma:por
Publicado em: Portal de Periódicos Eletrônicos da UFRN
Endereço do item:https://periodicos.ufrn.br/gelne/article/view/33239
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spelling oai:periodicos.ufrn.br:article-332392024-01-22T15:46:05Z As tensões do jardim: a construção discursiva da epifania no conto "Amor", de Clarice Lispector Lindenberg Lemos, Carolina Farias Mendes, Beatriz This work offers a discursive description of what has been called “epiphany” and “undecipherability” in Clarice Lispector’s work by literary criticism (CAMPOS, 2017; SÁ, 1979). In order to analyse the particular arrangement of the epiphany on Lispector’s “Amor”, theoretical tools from French school Semiotics (GREIMAS, 2014) and its tensive ramification (ZILBERBERG, 2006a; 2006b; 2011) were used. Following the course of the narrative, this article discusses the initial construction of the unstable state in which Ana, the central character, finds herself. To do so, the temporal configuration during the streetcar ride in described, as well as her internal flow of conscience; followed by the construction of a social addresser (destinateur) which enthralls her into her daily life; and ending on the discussion of the aspectual flux established between past and present. The actual epiphany and its profound connection to feelings of piety and compassion (LIMA, 2016) is then discussed, which entails a description of these fractures on daily life (GREIMAS, 2017) and the issuing conflict of sensations experienced by the character in the Botanical Garden. Her path ends with a return home, which is in turn invaded by the external sensations. The article closes with the description of the discursive progression of her re-establishment in the conjunction (conjonction) with her husband. Through the scrutiny of this short story, one could argue that, far from undecipherable, the confusion in which the character finds herself is profoundly woven into the discursive fabric and organized as to lead the reader into experiencing, with Ana, a pitying, compassionate epiphany. Este trabalho busca oferecer uma descrição discursiva daquilo que a crítica literária (CAMPOS, 2017; SÁ, 2000) cunhou como “epifania” ou como “indecifrabilidade” na obra de Clarice Lispector. Para tanto, apoiamo-nos nas ferramentas da semiótica discursiva (GREIMAS, 2014) e de seu desdobramento tensivo (ZILBERBERG, 2006a; 2006b; 2011) a fim de analisar o arranjo particular da epifania em “Amor” (LISPECTOR, 2020). Acompanhando o percurso da narrativa, este artigo discute inicialmente a construção do estado instável em que se encontra a personagem. Aborda-se para tanto a configuração temporal de sua viagem de bonde, bem como de seu fluxo interno de pensamento; a construção de um destinador social que a enlaça em seu cotidiano; e o fluxo aspectual que se estabelece entre presente e passado. Em seguida, discute-se a aparição epifânica e sua ligação profunda com os sentimentos de piedade e compaixão (LIMA, 2016) e continua-se com a descrição dos desdobramentos dessa fratura do cotidiano (GREIMAS, 2017) no conflito sensível que experimenta a personagem no Jardim Botânico. Seu percurso termina na volta ao lar, que se vê invadido pelas sensações do exterior (o não-lar). O artigo finda por descrever a progressão discursiva de restabelecimento da personagem até seu repouso na conjunção com o marido. Por meio do escrutínio desse conto, mostra-se que, longe de ser indecifrável, a confusão da personagem está, ao contrário, profundamente urdida no tecido discursivo e organizada para levar o leitor a sentir, com Ana, a epifania piedosa. Portal de Periódicos Eletrônicos da UFRN 2024-01-22 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artigo avaliado pelos Pares application/pdf https://periodicos.ufrn.br/gelne/article/view/33239 Revista do GELNE; v. 26 n. 1 (2024); e33239 2236-0883 10.21680/1517-7874.2024v26n1 por https://periodicos.ufrn.br/gelne/article/view/33239/18199 Copyright (c) 2024 Revista do GELNE http://creativecommons.org/licenses/by-nc-sa/4.0
institution Periódicos UFRN
collection Portal de Pediódicos Eletrônicos da UFRN
language por
format Online
author Lindenberg Lemos, Carolina
Farias Mendes, Beatriz
spellingShingle Lindenberg Lemos, Carolina
Farias Mendes, Beatriz
As tensões do jardim: a construção discursiva da epifania no conto "Amor", de Clarice Lispector
author_facet Lindenberg Lemos, Carolina
Farias Mendes, Beatriz
author_sort Lindenberg Lemos, Carolina
title As tensões do jardim: a construção discursiva da epifania no conto "Amor", de Clarice Lispector
title_short As tensões do jardim: a construção discursiva da epifania no conto "Amor", de Clarice Lispector
title_full As tensões do jardim: a construção discursiva da epifania no conto "Amor", de Clarice Lispector
title_fullStr As tensões do jardim: a construção discursiva da epifania no conto "Amor", de Clarice Lispector
title_full_unstemmed As tensões do jardim: a construção discursiva da epifania no conto "Amor", de Clarice Lispector
title_sort as tensões do jardim: a construção discursiva da epifania no conto "amor", de clarice lispector
description This work offers a discursive description of what has been called “epiphany” and “undecipherability” in Clarice Lispector’s work by literary criticism (CAMPOS, 2017; SÁ, 1979). In order to analyse the particular arrangement of the epiphany on Lispector’s “Amor”, theoretical tools from French school Semiotics (GREIMAS, 2014) and its tensive ramification (ZILBERBERG, 2006a; 2006b; 2011) were used. Following the course of the narrative, this article discusses the initial construction of the unstable state in which Ana, the central character, finds herself. To do so, the temporal configuration during the streetcar ride in described, as well as her internal flow of conscience; followed by the construction of a social addresser (destinateur) which enthralls her into her daily life; and ending on the discussion of the aspectual flux established between past and present. The actual epiphany and its profound connection to feelings of piety and compassion (LIMA, 2016) is then discussed, which entails a description of these fractures on daily life (GREIMAS, 2017) and the issuing conflict of sensations experienced by the character in the Botanical Garden. Her path ends with a return home, which is in turn invaded by the external sensations. The article closes with the description of the discursive progression of her re-establishment in the conjunction (conjonction) with her husband. Through the scrutiny of this short story, one could argue that, far from undecipherable, the confusion in which the character finds herself is profoundly woven into the discursive fabric and organized as to lead the reader into experiencing, with Ana, a pitying, compassionate epiphany.
publisher Portal de Periódicos Eletrônicos da UFRN
publishDate 2024
url https://periodicos.ufrn.br/gelne/article/view/33239
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