19th Century: the End and New Beginning of the Viola da Gamba

The viola da gamba was a leading instrument in the musical scene of the Renaissance and European Baroque, entering the Classical period with some renowned viols players. For decades, musicians and musicologists have asserted that the viola and its repertoire died with the last viol player Carl Fried...

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Autor principal: Augustin, Kristina
Formato: Online
Idioma:por
Publicado em: ABRACE / ANDA / ANPAP / ANPPOM
Endereço do item:https://periodicos.ufrn.br/artresearchjournal/article/view/31803
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spelling oai:periodicos.ufrn.br:article-318032023-05-17T20:19:02Z 19th Century: the End and New Beginning of the Viola da Gamba Século XIX: o fim e recomeço para a viola da gamba Augustin, Kristina viola da gamba Música Antiga Carl Friederich Abel século XIX viola da gamba Early Music Carl Friederich Abel 19th century music The viola da gamba was a leading instrument in the musical scene of the Renaissance and European Baroque, entering the Classical period with some renowned viols players. For decades, musicians and musicologists have asserted that the viola and its repertoire died with the last viol player Carl Friederich Abel, when he died in 1787. From a modern perspective it is difficult to understand how an instrument that had such wide acceptance in the courts and long performance on the stage and European salons may have been totally forgotten and abandoned in the 19th century. The article presents reflections and traces a possible historical path that the viola da gamba took throughout the 19th century in the European music scene.  A viola da gamba foi um instrumento protagonista no cenário musical da Renascença e do Barroco europeu, adentrando no período Clássico com alguns gambistas de renome. Por décadas, músicos e musicólogos afirmaram que a viola e seu repertório morreram com o último gambista Carl Friederich Abel, quando faleceu em 1787. De uma perspectiva moderna é difícil compreender como um instrumento que teve tão grande aceitação nas cortes e longa atuação nos palcos e salões europeus possa ter sido totalmente esquecido e abandonado no século XIX. O artigo apresenta reflexões e traça um possível caminho histórico que a viola da gamba percorreu ao longo do século XIX na cena musical europeia. ABRACE / ANDA / ANPAP / ANPPOM 2023-05-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed article Artigo avaliado pelos pares application/pdf https://periodicos.ufrn.br/artresearchjournal/article/view/31803 Art Research Journal: Revista de Pesquisa em Artes; Vol. 10 No. 1 (2023): Dossier “Insurgent Dramaturgies and Epistemologies in Dance” ; Articles ARJ – Art Research Journal: Revista de Pesquisa em Artes; v. 10 n. 1 (2023): Dossiê “Teorias, Poéticas e Práticas da Música Antiga” ; Artigos 2357-9978 10.36025/arj.v10i1 por https://periodicos.ufrn.br/artresearchjournal/article/view/31803/16929 Copyright (c) 2023 Kristina Augustin (Autor) http://creativecommons.org/licenses/by-nc-sa/4.0
institution Periódicos UFRN
collection Portal de Pediódicos Eletrônicos da UFRN
language por
format Online
author Augustin, Kristina
spellingShingle Augustin, Kristina
19th Century: the End and New Beginning of the Viola da Gamba
author_facet Augustin, Kristina
author_sort Augustin, Kristina
title 19th Century: the End and New Beginning of the Viola da Gamba
title_short 19th Century: the End and New Beginning of the Viola da Gamba
title_full 19th Century: the End and New Beginning of the Viola da Gamba
title_fullStr 19th Century: the End and New Beginning of the Viola da Gamba
title_full_unstemmed 19th Century: the End and New Beginning of the Viola da Gamba
title_sort 19th century: the end and new beginning of the viola da gamba
description The viola da gamba was a leading instrument in the musical scene of the Renaissance and European Baroque, entering the Classical period with some renowned viols players. For decades, musicians and musicologists have asserted that the viola and its repertoire died with the last viol player Carl Friederich Abel, when he died in 1787. From a modern perspective it is difficult to understand how an instrument that had such wide acceptance in the courts and long performance on the stage and European salons may have been totally forgotten and abandoned in the 19th century. The article presents reflections and traces a possible historical path that the viola da gamba took throughout the 19th century in the European music scene. 
publisher ABRACE / ANDA / ANPAP / ANPPOM
publishDate 2023
url https://periodicos.ufrn.br/artresearchjournal/article/view/31803
work_keys_str_mv AT augustinkristina 19thcenturytheendandnewbeginningofthevioladagamba
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