Valle lacrimarum: violence and patriarchy in Marido, by Lídia Jorge
“Marido”, short story by Portuguese writer Lídia Jorge, portraits a common situation of violence associated to the marriage of protagonist Lúcia. In this paper, we analyze the representation of the patriarchal violence, in articulation with formal aspects of the story. For this approach, we used the...
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oai:periodicos.ufrn.br:article-316192023-11-30T23:36:55Z Valle lacrimarum: violence and patriarchy in Marido, by Lídia Jorge Valle lacrimarum: violência e patriarcado em "Marido", de Lídia Jorge Setúbal da Silveira, Aline Lídia Jorge Literatura Violência Patriarcado Lídia Jorge. Literature. Violence. Patriarchy. “Marido”, short story by Portuguese writer Lídia Jorge, portraits a common situation of violence associated to the marriage of protagonist Lúcia. In this paper, we analyze the representation of the patriarchal violence, in articulation with formal aspects of the story. For this approach, we used the authors Heleith Saffioti, Gerda Lerner, Michelle Perrot, Bryan Turner, among others. From reading the short story, we observe that the christian religious discourse evokes the idea of marriage as something unbreakable and sacred. The need of protection by Lúcia, immerse in a confined space with recurrent violence, is reinforced by the lexical reiteration. The word choice enlightens the situation of silence. The husband is constructed as the figure of patriarchy, omnipresent since the title of the short story. Our reading of “Marido” makes it possible to see some patriarchal operators of women’s silence and submission. O conto “Marido”, da escritora portuguesa Lídia Jorge, retrata uma situação cotidiana de violência associada ao vínculo matrimonial da protagonista Lúcia ao marido. Neste artigo, analisamos a representação da violência patriarcal no texto literário supracitado, articulando-a com aspectos formais da narrativa. Para essa abordagem, utilizamos os autores Heleieth Saffioti, Gerda Lerner, Michelle Perrot, Bryan Turner, dentre outros. A partir da leitura do conto, observamos que o discurso religioso cristão, entremeado ao longo da narrativa, evoca a ideia do casamento como algo indissolúvel e sacramentado. A necessidade de proteção sentida por Lúcia, imersa em um espaço confinado e (violento), é reforçada pela reiteração lexical. O jogo de palavras configura ainda marcações de silenciamento. O marido, por sua vez, é construído como figura de representação do poder patriarcal, onipresente desde o título do conto. A leitura do conto “Marido” possibilita enxergarmos alguns operadores patriarcais do silêncio e da submissão da mulher. UFRN 2023-11-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://periodicos.ufrn.br/odisseia/article/view/31619 Odisseia; Vol. 8 No. Especial (2023): Literatura e Violência: trauma, melancolia e resistência; 454-471 Revue Odisseia; Vol. 8 No. Especial (2023): Literatura e Violência: trauma, melancolia e resistência; 454-471 Revista Odisseia; v. 8 n. Especial (2023): Literatura e Violência: trauma, melancolia e resistência; 454-471 1983-2435 10.21680/1983-2435.2023v8nEspecial por https://periodicos.ufrn.br/odisseia/article/view/31619/17893 Copyright (c) 2023 Revista Odisseia http://creativecommons.org/licenses/by-nc-sa/4.0 |
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Setúbal da Silveira, Aline |
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Setúbal da Silveira, Aline Valle lacrimarum: violence and patriarchy in Marido, by Lídia Jorge |
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Setúbal da Silveira, Aline |
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Setúbal da Silveira, Aline |
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Valle lacrimarum: violence and patriarchy in Marido, by Lídia Jorge |
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Valle lacrimarum: violence and patriarchy in Marido, by Lídia Jorge |
title_full |
Valle lacrimarum: violence and patriarchy in Marido, by Lídia Jorge |
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Valle lacrimarum: violence and patriarchy in Marido, by Lídia Jorge |
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Valle lacrimarum: violence and patriarchy in Marido, by Lídia Jorge |
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valle lacrimarum: violence and patriarchy in marido, by lídia jorge |
description |
“Marido”, short story by Portuguese writer Lídia Jorge, portraits a common situation of violence associated to the marriage of protagonist Lúcia. In this paper, we analyze the representation of the patriarchal violence, in articulation with formal aspects of the story. For this approach, we used the authors Heleith Saffioti, Gerda Lerner, Michelle Perrot, Bryan Turner, among others. From reading the short story, we observe that the christian religious discourse evokes the idea of marriage as something unbreakable and sacred. The need of protection by Lúcia, immerse in a confined space with recurrent violence, is reinforced by the lexical reiteration. The word choice enlightens the situation of silence. The husband is constructed as the figure of patriarchy, omnipresent since the title of the short story. Our reading of “Marido” makes it possible to see some patriarchal operators of women’s silence and submission. |
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UFRN |
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2023 |
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https://periodicos.ufrn.br/odisseia/article/view/31619 |
work_keys_str_mv |
AT setubaldasilveiraaline vallelacrimarumviolenceandpatriarchyinmaridobylidiajorge AT setubaldasilveiraaline vallelacrimarumviolenciaepatriarcadoemmaridodelidiajorge |
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1784351640985272320 |