Romanesca in Movement: a Walking Schema

This paper demonstrates the change in position of the use of the counterpoint schema entitled Romanesca, throughout the 18th century. The way of its use goes from a thematic opening procedure to different positions in the structure of the instrumental and vocal repertoire. Apparently, its recurrence...

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Principais autores: Páscoa, Márcio Leonel Farias Reis, Trilha Neto, Mario Marques
Formato: Online
Idioma:por
eng
Publicado em: ABRACE / ANDA / ANPAP / ANPPOM
Endereço do item:https://periodicos.ufrn.br/artresearchjournal/article/view/31581
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spelling oai:periodicos.ufrn.br:article-315812023-06-03T23:56:35Z Romanesca in Movement: a Walking Schema Romanesca em movimento: a itinerância de um "schema" Páscoa, Márcio Leonel Farias Reis Trilha Neto, Mario Marques romanesca counterpoint galant style music schema romanesca contraponto estilo galante música schema This paper demonstrates the change in position of the use of the counterpoint schema entitled Romanesca, throughout the 18th century. The way of its use goes from a thematic opening procedure to different positions in the structure of the instrumental and vocal repertoire. Apparently, its recurrence, especially in the latter case, suggests musical topic implications that gradually removed the strong connotation of a musical opening formula, belonging to the 18th century repertoire, the so-called Gallant Style, as presented and explained by Robert Gjerdingen. The paper focuses on the verification of this variability of use and suggests that in the process of maturation of its use, Romanesca may have been an expedient of syntactic construction with direction to different meanings, according to the creative project in which it was inserted. * Research funding: Fundação de Amparo à Pesquisa do Estado do Amazonas – FAPEAM. O presente texto demonstra a mudança de posição do uso do esquema de contraponto (schema) intitulado Romanesca, ao longo do século XVIII. A trajetória de sua utilização passa de procedimento de abertura temática para posições diversas na estrutura do repertório instrumental e vocal. Aparentemente, a sua recorrência, sobretudo neste último caso, sugere implicações tópicas que, paulatinamente, lhe retiraram a forte conotação de fórmula de abertura musical, pertencente ao repertório setecentista, o chamado Estilo Galante, tal como apre­sentado e explicado por Robert Gjerdingen. O artigo concentra-se na constatação dessa variabilidade de uso e sugere que no processo de amadurecimento de seu uso, a Romanesca pode ter sido um expediente de construção sintática com direcionamento a sentidos diversos, conforme o projeto criativo em que estivesse inserida.  * Fomento à pesquisa: Fundação de Amparo à Pesquisa do Estado do Amazonas – FAPEAM. ABRACE / ANDA / ANPAP / ANPPOM 2023-06-03 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed article Artigo avaliado pelos pares application/pdf application/pdf https://periodicos.ufrn.br/artresearchjournal/article/view/31581 Art Research Journal: Revista de Pesquisa em Artes; Vol. 10 No. 1 (2023): Dossier “Insurgent Dramaturgies and Epistemologies in Dance” ; Articles ARJ – Art Research Journal: Revista de Pesquisa em Artes; v. 10 n. 1 (2023): Dossiê “Teorias, Poéticas e Práticas da Música Antiga” ; Artigos 2357-9978 10.36025/arj.v10i1 por eng https://periodicos.ufrn.br/artresearchjournal/article/view/31581/16998 https://periodicos.ufrn.br/artresearchjournal/article/view/31581/16999 Copyright (c) 2023 Márcio Páscoa, Mário Trilha (Autor) http://creativecommons.org/licenses/by-nc-sa/4.0
institution Periódicos UFRN
collection Portal de Pediódicos Eletrônicos da UFRN
language por
eng
format Online
author Páscoa, Márcio Leonel Farias Reis
Trilha Neto, Mario Marques
spellingShingle Páscoa, Márcio Leonel Farias Reis
Trilha Neto, Mario Marques
Romanesca in Movement: a Walking Schema
author_facet Páscoa, Márcio Leonel Farias Reis
Trilha Neto, Mario Marques
author_sort Páscoa, Márcio Leonel Farias Reis
title Romanesca in Movement: a Walking Schema
title_short Romanesca in Movement: a Walking Schema
title_full Romanesca in Movement: a Walking Schema
title_fullStr Romanesca in Movement: a Walking Schema
title_full_unstemmed Romanesca in Movement: a Walking Schema
title_sort romanesca in movement: a walking schema
description This paper demonstrates the change in position of the use of the counterpoint schema entitled Romanesca, throughout the 18th century. The way of its use goes from a thematic opening procedure to different positions in the structure of the instrumental and vocal repertoire. Apparently, its recurrence, especially in the latter case, suggests musical topic implications that gradually removed the strong connotation of a musical opening formula, belonging to the 18th century repertoire, the so-called Gallant Style, as presented and explained by Robert Gjerdingen. The paper focuses on the verification of this variability of use and suggests that in the process of maturation of its use, Romanesca may have been an expedient of syntactic construction with direction to different meanings, according to the creative project in which it was inserted. * Research funding: Fundação de Amparo à Pesquisa do Estado do Amazonas – FAPEAM.
publisher ABRACE / ANDA / ANPAP / ANPPOM
publishDate 2023
url https://periodicos.ufrn.br/artresearchjournal/article/view/31581
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