Between the made-up face and the raw, purulent flesh: dialogic relationships of otherness in the short story “A Bela e a Fera ou a ferida grande demais”, by Clarice Lispector

The relationship between the world of life and the world of art is one of constant interaction and exchange, in which the discursive thread of fictional narratives evinces the representation of social structures and spaces demarcated by discursively constituted subjects. Thinking about this interact...

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Principais autores: Duarte Araújo, Benício Mackson, Melo Júnior, Orison Marden Bandeira
Formato: Online
Idioma:por
Publicado em: UFRN
Endereço do item:https://periodicos.ufrn.br/odisseia/article/view/31420
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spelling oai:periodicos.ufrn.br:article-314202023-08-27T17:52:40Z Between the made-up face and the raw, purulent flesh: dialogic relationships of otherness in the short story “A Bela e a Fera ou a ferida grande demais”, by Clarice Lispector Entre o rosto maquilado e a carne viva e purulenta: relações dialógicas de alteridade no conto “A bela e a fera ou a ferida grande demais”, de Clarice Lispector Duarte Araújo, Benício Mackson Melo Júnior, Orison Marden Bandeira Dialogismo Alteridade A bela e a fera ou a ferida grande demais” Clarice Lispector Dialogism Otherness “A bela e a fera ou a ferida grande demais” Clarice Lispector The relationship between the world of life and the world of art is one of constant interaction and exchange, in which the discursive thread of fictional narratives evinces the representation of social structures and spaces demarcated by discursively constituted subjects. Thinking about this interaction, this paper aims to analyze the protagonist of Clarice Lispector’s short story “A bela e a fera ou a ferida grande demais” based on Bakhtin’s (2011; 2014; 2015; 2018) and Volóchinov’s (2019) writings in order to discuss the marks of otherness that emerge in and between the characters in the fictional narrative. We conclude that the author fictionally creates a clash between the social structures represented by the protagonist’s made-up face and the beggar’s purulent wound, evinced by the marks of otherness in the constitution of the characters and, in a more accentuated way, in the creation of the female character, conditioned to conservative and traditional patriarchal dictates. A relação entre o mundo da vida e o mundo da arte é de constante interação e troca, em que o fio discursivo das narrativas ficcionais evidencia a representação de estruturas sociais e dos espaços nelas demarcados pelos sujeitos discursivamente constituídos. Pensando nessa interação, este trabalho tem o objetivo de analisar a protagonista do conto “A bela e a fera ou a ferida grande demais”, de Clarice Lispector, com base nos escritos de Bakhtin (2011; 2014; 2015; 2018) e Volóchinov (2019), a fim de discutir as marcas da alteridade que emergem em e entre as personagens na narrativa ficcional. Concluímos que a autora cria, ficcionalmente, um embate entre as estruturas sociais representadas pelo rosto maquilado da protagonista e pela ferida purulenta da personagem mendigo, evidenciadas pelas marcas da alteridade na composição das personagens e, de modo mais acentuado, na criação da figura feminina condicionada aos ditames do sistema patriarcal, conservador e tradicional. UFRN 2023-08-27 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://periodicos.ufrn.br/odisseia/article/view/31420 Odisseia; Vol. 8 No. 2 (2023): Revista Odisseia; 37-58 Revue Odisseia; Vol. 8 No. 2 (2023): Revista Odisseia; 37-58 Revista Odisseia; v. 8 n. 2 (2023): Revista Odisseia; 37-58 1983-2435 10.21680/1983-2435.2023v8n2 por https://periodicos.ufrn.br/odisseia/article/view/31420/17382 Copyright (c) 2023 Revista Odisseia http://creativecommons.org/licenses/by-nc-sa/4.0
institution Periódicos UFRN
collection Portal de Pediódicos Eletrônicos da UFRN
language por
format Online
author Duarte Araújo, Benício Mackson
Melo Júnior, Orison Marden Bandeira
spellingShingle Duarte Araújo, Benício Mackson
Melo Júnior, Orison Marden Bandeira
Between the made-up face and the raw, purulent flesh: dialogic relationships of otherness in the short story “A Bela e a Fera ou a ferida grande demais”, by Clarice Lispector
author_facet Duarte Araújo, Benício Mackson
Melo Júnior, Orison Marden Bandeira
author_sort Duarte Araújo, Benício Mackson
title Between the made-up face and the raw, purulent flesh: dialogic relationships of otherness in the short story “A Bela e a Fera ou a ferida grande demais”, by Clarice Lispector
title_short Between the made-up face and the raw, purulent flesh: dialogic relationships of otherness in the short story “A Bela e a Fera ou a ferida grande demais”, by Clarice Lispector
title_full Between the made-up face and the raw, purulent flesh: dialogic relationships of otherness in the short story “A Bela e a Fera ou a ferida grande demais”, by Clarice Lispector
title_fullStr Between the made-up face and the raw, purulent flesh: dialogic relationships of otherness in the short story “A Bela e a Fera ou a ferida grande demais”, by Clarice Lispector
title_full_unstemmed Between the made-up face and the raw, purulent flesh: dialogic relationships of otherness in the short story “A Bela e a Fera ou a ferida grande demais”, by Clarice Lispector
title_sort between the made-up face and the raw, purulent flesh: dialogic relationships of otherness in the short story “a bela e a fera ou a ferida grande demais”, by clarice lispector
description The relationship between the world of life and the world of art is one of constant interaction and exchange, in which the discursive thread of fictional narratives evinces the representation of social structures and spaces demarcated by discursively constituted subjects. Thinking about this interaction, this paper aims to analyze the protagonist of Clarice Lispector’s short story “A bela e a fera ou a ferida grande demais” based on Bakhtin’s (2011; 2014; 2015; 2018) and Volóchinov’s (2019) writings in order to discuss the marks of otherness that emerge in and between the characters in the fictional narrative. We conclude that the author fictionally creates a clash between the social structures represented by the protagonist’s made-up face and the beggar’s purulent wound, evinced by the marks of otherness in the constitution of the characters and, in a more accentuated way, in the creation of the female character, conditioned to conservative and traditional patriarchal dictates.
publisher UFRN
publishDate 2023
url https://periodicos.ufrn.br/odisseia/article/view/31420
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