Day of the dead in the second year of pandemic: the phases of experiencing death in the "new normal" cemetery

The photo essay addresses the theme of the day of the dead in its ritualistic pandemic context in the city of João Pessoa, Paraíba, more precisely in the Senhor da Boa Sentença cemetery, located in the Varadouro neighborhood. The purpose is to show the continuation of the previous photographic essay...

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Autor principal: Silva, Weverson Bezerra
Formato: Online
Idioma:por
Publicado em: Portal de Periódicos Eletrônicos da UFRN
Endereço do item:https://periodicos.ufrn.br/equatorial/article/view/30686
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id oai:periodicos.ufrn.br:article-30686
record_format ojs
institution Periódicos UFRN
collection Portal de Pediódicos Eletrônicos da UFRN
language por
format Online
author Silva, Weverson Bezerra
spellingShingle Silva, Weverson Bezerra
Day of the dead in the second year of pandemic: the phases of experiencing death in the "new normal" cemetery
author_facet Silva, Weverson Bezerra
author_sort Silva, Weverson Bezerra
title Day of the dead in the second year of pandemic: the phases of experiencing death in the "new normal" cemetery
title_short Day of the dead in the second year of pandemic: the phases of experiencing death in the "new normal" cemetery
title_full Day of the dead in the second year of pandemic: the phases of experiencing death in the "new normal" cemetery
title_fullStr Day of the dead in the second year of pandemic: the phases of experiencing death in the "new normal" cemetery
title_full_unstemmed Day of the dead in the second year of pandemic: the phases of experiencing death in the "new normal" cemetery
title_sort day of the dead in the second year of pandemic: the phases of experiencing death in the "new normal" cemetery
description The photo essay addresses the theme of the day of the dead in its ritualistic pandemic context in the city of João Pessoa, Paraíba, more precisely in the Senhor da Boa Sentença cemetery, located in the Varadouro neighborhood. The purpose is to show the continuation of the previous photographic essay published in the magazine R@U – UFSCAR’s anthropological magazine, on the ethnographic experience in the meaning of the process of visiting the dead as a form of remembrance and activism of memory, paying attention to the social and economic processes in around that day in times of social distancing, on the second day of the dead in Brazil in 2021 in the presence of covid-19 and a scenario of the “new normal”. In this second essay I seek to bring the colors of the images as a methodological form of the first gray year and in the second year with more hope, the colors were narratives of the interlocutors themselves, highlighting that the cemetery was coming to life, even though it was a space of death, or to The deads. It is about problematizing the contemporary processes about visiting on the day of the dead, with the loosening of biosecurity measures and the masks gradually being removed, but in this new context it has not ceased to be an accessory with the flower and candles market. The photographs reflect the cemetery as a significant space in the understanding of a social organization, the colors as a system of resistance, a fundamental part of a culture, and also as a witness to the history of a society that lives the collective and individual experience of visiting its dead with restrictions and limited social support in the interaction process, but in this second year, more social agents were noticeable in the ritual. In this way, the perception of the social dynamics that involves the cemetery with its sociocultural practices is associated with the historical context experienced, and of extreme relevance the mourners use the cemetery as a process of ritualization, affection and memory, and the relationships built between individuals helped to understand the space of the cemetery not only as a place of death, but mainly as a space of life, social activity with the “workers of the dead”, memory and interactional symbolic continuity, where the mourners resist in strengthening their cultural practices even with all forms of the scenario of a return to the solitude of experiencing this day that is celebrated.
publisher Portal de Periódicos Eletrônicos da UFRN
publishDate 2023
url https://periodicos.ufrn.br/equatorial/article/view/30686
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spelling oai:periodicos.ufrn.br:article-306862023-05-17T12:01:25Z Day of the dead in the second year of pandemic: the phases of experiencing death in the "new normal" cemetery Día de muertos en el segundo año de pandemia: las fases de experimentar muerte en el cementerio de la "nueva normalidad" Dia dos mortos no segundo ano de pandemia: as fases de vivenciar a morte no cemitério do “novo normal” Silva, Weverson Bezerra Antropologia da morte Cemitério Pandemia Morte Antropología de la muerte Cementerio Pandemía Muerte Anthropology of death Cemetery Pandemic Death The photo essay addresses the theme of the day of the dead in its ritualistic pandemic context in the city of João Pessoa, Paraíba, more precisely in the Senhor da Boa Sentença cemetery, located in the Varadouro neighborhood. The purpose is to show the continuation of the previous photographic essay published in the magazine R@U – UFSCAR’s anthropological magazine, on the ethnographic experience in the meaning of the process of visiting the dead as a form of remembrance and activism of memory, paying attention to the social and economic processes in around that day in times of social distancing, on the second day of the dead in Brazil in 2021 in the presence of covid-19 and a scenario of the “new normal”. In this second essay I seek to bring the colors of the images as a methodological form of the first gray year and in the second year with more hope, the colors were narratives of the interlocutors themselves, highlighting that the cemetery was coming to life, even though it was a space of death, or to The deads. It is about problematizing the contemporary processes about visiting on the day of the dead, with the loosening of biosecurity measures and the masks gradually being removed, but in this new context it has not ceased to be an accessory with the flower and candles market. The photographs reflect the cemetery as a significant space in the understanding of a social organization, the colors as a system of resistance, a fundamental part of a culture, and also as a witness to the history of a society that lives the collective and individual experience of visiting its dead with restrictions and limited social support in the interaction process, but in this second year, more social agents were noticeable in the ritual. In this way, the perception of the social dynamics that involves the cemetery with its sociocultural practices is associated with the historical context experienced, and of extreme relevance the mourners use the cemetery as a process of ritualization, affection and memory, and the relationships built between individuals helped to understand the space of the cemetery not only as a place of death, but mainly as a space of life, social activity with the “workers of the dead”, memory and interactional symbolic continuity, where the mourners resist in strengthening their cultural practices even with all forms of the scenario of a return to the solitude of experiencing this day that is celebrated. El ensayo fotográfico aborda el tema del día de los muertos en su contexto ritual de pandemia en la ciudad de João Pessoa, Paraíba, más precisamente en el cementerio Senhor da Boa Sentença, ubicado en el barrio de Varadouro. El objetivo es mostrar la continuación del ensayo fotográfico anterior publicado en la revista R@U – revista antropológica de la UFSCAR, sobre la experiencia etnográfica en el sentido del proceso de visita a los muertos como forma de rememoración y activismo de la memoria, prestando atención a los procesos sociales y económicos en torno a ese día en tiempos de distanciamiento social, en el segundo día de muertos en Brasil en 2021 ante la presencia del covid-19 y un escenario de la “nueva normalidad”. Nesse segundo ensaio busco trazer as cores das imagens como forma metodológica do primeiro ano cinza e no segundo ano com mais esperança, as cores foram narrativas dos próprios interlocutores, ao destacar que o cemitério estava ganhando vida, mesmo sendo um espaço de morte, ou para los muertos. Se trata de problematizar los procesos contemporáneos sobre la visita al día de muertos, con el relajamiento de las medidas de bioseguridad y el retiro paulatino de las mascarillas, pero en este nuevo contexto no ha dejado de ser un accesorio con el mercado de flores y velas. Las fotografías reflejan el cementerio como espacio significativo en la comprensión de una organización social, los colores como sistema de resistencia, parte fundamental de una cultura, y también como testigo de la historia de una sociedad que vive la experiencia colectiva e individual. de visitar a sus muertos con restricciones y limitado apoyo social en el proceso de interacción, pero en este segundo año se notaron más agentes sociales en el ritual. De esta forma, la percepción de la dinámica social que envuelve al cementerio con sus prácticas socioculturales se asocia al contexto histórico vivido, y de extrema relevancia los dolientes utilizan el cementerio como proceso de ritualización, afecto y memoria, y las relaciones construidas entre los individuos ayudaron a entender el espacio del cementerio no solo como un lugar de muerte, sino principalmente como un espacio de vida, actividad social con los “trabajadores de los muertos”, memoria y continuidad simbólica interaccional, donde los dolientes resisten en el fortalecimiento de su cultura. practica incluso con todas las formas del escenario de un retorno a la soledad de vivir este día que se celebra. O ensaio fotográfico aborda o tema do dia dos mortos em seu contexto pandêmico ritualístico na cidade de João Pessoa, Paraíba, mais precisamente no cemitério Senhor da Boa Sentença, situado no bairro do Varadouro. A finalidade é mostrar a continuação do ensaio fotográfico anterior publicado na revista R@U – revista antropológica da UFSCAR, sobre a experiência etnográfica no significado do processo de visitar os mortos como forma de lembrança e ativismo da memória, atentando aos processos sociais e econômicos em torno desse dia em tempos de distanciamento social, no segundo dia dos mortos no Brasil em 2021 na presença da covid-19 e um cenário do “novo normal”. Nesse segundo ensaio busco trazer as cores das imagens como forma metodológica do primeiro ano cinza e no segundo ano com mais esperança, as cores foram narrativas dos próprios interlocutores, ao destacar que o cemitério estava ganhando vida, mesmo sendo um espaço de morte, ou para os mortos. Trata-se de problematizar os processos da contemporaneidade sobre o visitar no dia dos mortos, com o afrouxamento das medidas de biossegurança e as máscaras aos poucos sendo retirada, porém nesse novo contexto não deixou de ser um acessório junto ao mercado das flores e velas. As fotografias refletem o cemitério como espaço significativo no entendimento de uma organização social, as cores como um sistema de resistência parte fundamental de uma cultura, e ainda como testemunha da história de uma sociedade que vive a experiência coletiva e individual de visitar os seus mortos com restrições e apoio social limitado no processo de interação, porém nesse segundo ano foi perceptível mais agentes sociais no ritual. Dessa forma, a percepção da dinâmica social que envolve o cemitério com suas práticas socioculturais está associada ao contexto histórico vivenciado, e de extrema relevância dos enlutados usa o cemitério como um processo de ritualização, afeto e memória, e as relações construídas entre os indivíduos ajudaram a compreender o espaço do cemitério não apenas como lugar de morte, mas, principalmente, como espaço de vida, atividade social com os “trabalhadores dos mortos”, memória e continuidade simbólica interacional, onde os enlutados resistem no fortalecimento de suas práticas culturais mesmo com todas as formas do cenário de um retorno da solidão de vivenciar esse dia que é celebrado. Portal de Periódicos Eletrônicos da UFRN 2023-05-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion ensaio fotográfico ensaio fotográfico ensaio fotográfico application/pdf https://periodicos.ufrn.br/equatorial/article/view/30686 Equatorial – Revista do Programa de Pós-Graduação em Antropologia Social; Vol. 10 No. 18 (2023): Equatorial; 1-18 Equatorial – Revista do Programa de Pós-Graduação em Antropologia Social; Vol. 10 Núm. 18 (2023): Equatorial; 1-18 Equatorial – Revista do Programa de Pós-Graduação em Antropologia Social; v. 10 n. 18 (2023): Equatorial; 1-18 2446-5674 10.21680/2446-5674.2023v10n18 por https://periodicos.ufrn.br/equatorial/article/view/30686/16950 Copyright (c) 2023 Weverson Bezerra Silva http://creativecommons.org/licenses/by-nc-sa/4.0

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