Ethnomusicology and the unwritten rules of the democratic game: an essay on music research as a counter-narrative

This paper discusses some relationships between music, research in ethnomusicology and the context of informal relationships in our political reality, considering our investigative practices as possibilities to question existing discourses and to present alternative narratives in the democratic cont...

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Autor principal: Ribeiro, Fábio Henrique Gomes
Formato: Online
Idioma:por
Publicado em: Universidade Federal do Rio Grande do Norte
Endereço do item:https://periodicos.ufrn.br/dialogossonoros/article/view/30596
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spelling oai:periodicos.ufrn.br:article-305962023-01-16T16:22:24Z Ethnomusicology and the unwritten rules of the democratic game: an essay on music research as a counter-narrative La etnomusicología y las reglas no escritas del juego democrático: un ensayo sobre la investigación musical como contranarrativa Etnomusicologia e as regras não escritas do jogo democrático: um ensaio sobre a pesquisa em música como contra-narrativa Ribeiro, Fábio Henrique Gomes Pesquisa em Música Etnomusicologia Democracia Research in Music Ethnomusicology Democracy Investigación en Música Etnomusicología la democracia This paper discusses some relationships between music, research in ethnomusicology and the context of informal relationships in our political reality, considering our investigative practices as possibilities to question existing discourses and to present alternative narratives in the democratic context. Based on bibliographic research, fundamentally in the fields of ethnomusicology, anthropology and political science, the analytical direction is developed in the perspective that our investigative endeavors may have generated part of a communicative arena based on the construction of important polarizations for an economy of opinions characteristic of contemporary political relations. Thus, the existence of narratives that build and reflect conflicts in this context stands out in order to try to understand how music and research in ethnomusicology are inserted and may be acting in this context. Este texto discute algunas relaciones entre la música, la investigación en etnomusicología y el contexto de relaciones informales en nuestra realidad política, considerando nuestras prácticas investigativas como posibilidades para cuestionar discursos existentes y presentar narrativas alternativas en el juego democrático. Con base en investigaciones bibliográficas, fundamentalmente en los campos de la etnomusicología, la antropología y las ciencias políticas, la dirección analítica se desarrolla en la perspectiva de que nuestros quehaceres investigativos pueden haber generado parte de una arena comunicativa basada en la construcción de importantes polarizaciones para una economía de opiniones característica de las relaciones políticas contemporáneas. Así, se destaca la existencia de narrativas que construyen y reflejan conflictos en este contexto para tratar de comprender cómo la música y la investigación en etnomusicología se insertan y pueden estar actuando en este contexto. Este texto discute algumas relações entre música, a pesquisa em etnomusicologia e o contexto das relações informais da nossa realidade política, pensando nossas práticas investigativas como possibilidades de questionar os discursos existentes e de apresentar narrativas alternativas no jogo democrático. Com base em pesquisa bibliográfica, fundamentalmente nos campos da etnomusicologia, antropologia e ciência política, a direção analítica é desenvolvida na perspectiva de que nossos empreendimentos investigativos podem ter gerado parte de uma arena comunicativa baseada na construção de polarizações importantes para uma economia de opiniões característica das relações políticas contemporâneas. Assim, destaca-se a existência de narrativas que constroem e refletem conflitos neste contexto para tentarmos compreender como a música e a pesquisa em etnomusicologia se inserem e podem estar agindo nesta conjuntura. Universidade Federal do Rio Grande do Norte 2022-12-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artigo avaliado pelos Pares application/pdf https://periodicos.ufrn.br/dialogossonoros/article/view/30596 Diálogos Sonoros; v. 1 n. 2 (2022); 1-21 2764-8257 por https://periodicos.ufrn.br/dialogossonoros/article/view/30596/16520 Copyright (c) 2022 Diálogos Sonoros https://creativecommons.org/licenses/by-nc/4.0
institution Periódicos UFRN
collection Portal de Pediódicos Eletrônicos da UFRN
language por
format Online
author Ribeiro, Fábio Henrique Gomes
spellingShingle Ribeiro, Fábio Henrique Gomes
Ethnomusicology and the unwritten rules of the democratic game: an essay on music research as a counter-narrative
author_facet Ribeiro, Fábio Henrique Gomes
author_sort Ribeiro, Fábio Henrique Gomes
title Ethnomusicology and the unwritten rules of the democratic game: an essay on music research as a counter-narrative
title_short Ethnomusicology and the unwritten rules of the democratic game: an essay on music research as a counter-narrative
title_full Ethnomusicology and the unwritten rules of the democratic game: an essay on music research as a counter-narrative
title_fullStr Ethnomusicology and the unwritten rules of the democratic game: an essay on music research as a counter-narrative
title_full_unstemmed Ethnomusicology and the unwritten rules of the democratic game: an essay on music research as a counter-narrative
title_sort ethnomusicology and the unwritten rules of the democratic game: an essay on music research as a counter-narrative
description This paper discusses some relationships between music, research in ethnomusicology and the context of informal relationships in our political reality, considering our investigative practices as possibilities to question existing discourses and to present alternative narratives in the democratic context. Based on bibliographic research, fundamentally in the fields of ethnomusicology, anthropology and political science, the analytical direction is developed in the perspective that our investigative endeavors may have generated part of a communicative arena based on the construction of important polarizations for an economy of opinions characteristic of contemporary political relations. Thus, the existence of narratives that build and reflect conflicts in this context stands out in order to try to understand how music and research in ethnomusicology are inserted and may be acting in this context.
publisher Universidade Federal do Rio Grande do Norte
publishDate 2022
url https://periodicos.ufrn.br/dialogossonoros/article/view/30596
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