Metadiscourse in "cadê teu suin-?", by los hermanos: some rupture in the literary-musical (re)productive system

This article aims to analyze how the metadiscursive strategies present in the song “Cadê teu suín?”, released in the early 2000s by the Brazilian band Los Hermanos, act in the construction of a strong critique of the massification of the music industry. As for the theoretical foundation, we also use...

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Principais autores: das Dores Nogueira Mendes, Maria, Canuto Silva, Rebeca
Formato: Online
Idioma:por
Publicado em: Portal de Periódicos Eletrônicos da UFRN
Endereço do item:https://periodicos.ufrn.br/gelne/article/view/29971
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spelling oai:periodicos.ufrn.br:article-299712023-04-03T18:27:12Z Metadiscourse in "cadê teu suin-?", by los hermanos: some rupture in the literary-musical (re)productive system Metadiscurso em "cadê teu suin-?", de Los hermanos: alguma ruptura no sistema (re)produtivo literomusical das Dores Nogueira Mendes, Maria Canuto Silva, Rebeca This article aims to analyze how the metadiscursive strategies present in the song “Cadê teu suín?”, released in the early 2000s by the Brazilian band Los Hermanos, act in the construction of a strong critique of the massification of the music industry. As for the theoretical foundation, we also used the concepts of imitation by subversion and enunciation scenes (MAINGUENEAU, 1989, 1988, 2005) which, applied to the phonogram of the aforementioned song, yielded the following results: a) the scenography mobilized is dialogic and composed by four parts: accusation of the label, defense of the singer-songwriter (band), reply and rejoinder; b) the criticism of the cultural industry is built, in the first part of the song, by the subversive imitation of the rules imposed by the record company and by the coincidence of the role of singer-songwriter (band), raised by the generic scene of the song, with that of “accused” of insurgency against the phonographic market; c) the revenge of the singer-songwriter, staged in the dialogue as a critique of marketing rules, shows that even if he complies with them out of necessity, this will not make him lose his power of creativity and artistic autonomy. Este artigo objetiva analisar como as estratégias metadiscursivas presentes na canção “Cadê teu suín?”, lançada no início dos anos 2000, pela banda brasileira Los Hermanos, atuam na construção de uma forte crítica à massificação da indústria fonográfica. Quanto à fundamentação teórica, utilizamos também os conceitos de imitação por subversão e de cenas de enunciação (MAINGUENEAU, 1989, 1988, 2005) que, aplicados ao fonograma da referida canção, renderam os seguintes resultados: a) a cenografia mobilizada é dialogal e composta por quatro partes: acusação da gravadora, defesa do cantautor (banda), réplica e tréplica; b) a crítica à indústria cultural é construída, na primeira parte da canção, pela imitação subversiva das regras impostas pela gravadora e pela coincidência do papel de cantautor (banda), suscitado pela cena genérica da canção, com o de “acusado” de insurgência contra o mercado fonográfico; c) a revanche do cantautor, encenada no diálogo como uma crítica às regras mercadológicas, mostra que ainda que as cumpra por necessidade, isso não o fará perder o seu poder de criatividade e autonomia artística. Portal de Periódicos Eletrônicos da UFRN 2023-03-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artigo avaliado pelos Pares application/pdf https://periodicos.ufrn.br/gelne/article/view/29971 Revista do GELNE; v. 25 n. 1 (2023); e29971 2236-0883 10.21680/1517-7874.2023v25n1 por https://periodicos.ufrn.br/gelne/article/view/29971/16757 Copyright (c) 2023 Revista do GELNE http://creativecommons.org/licenses/by-nc-sa/4.0
institution Periódicos UFRN
collection Portal de Pediódicos Eletrônicos da UFRN
language por
format Online
author das Dores Nogueira Mendes, Maria
Canuto Silva, Rebeca
spellingShingle das Dores Nogueira Mendes, Maria
Canuto Silva, Rebeca
Metadiscourse in "cadê teu suin-?", by los hermanos: some rupture in the literary-musical (re)productive system
author_facet das Dores Nogueira Mendes, Maria
Canuto Silva, Rebeca
author_sort das Dores Nogueira Mendes, Maria
title Metadiscourse in "cadê teu suin-?", by los hermanos: some rupture in the literary-musical (re)productive system
title_short Metadiscourse in "cadê teu suin-?", by los hermanos: some rupture in the literary-musical (re)productive system
title_full Metadiscourse in "cadê teu suin-?", by los hermanos: some rupture in the literary-musical (re)productive system
title_fullStr Metadiscourse in "cadê teu suin-?", by los hermanos: some rupture in the literary-musical (re)productive system
title_full_unstemmed Metadiscourse in "cadê teu suin-?", by los hermanos: some rupture in the literary-musical (re)productive system
title_sort metadiscourse in "cadê teu suin-?", by los hermanos: some rupture in the literary-musical (re)productive system
description This article aims to analyze how the metadiscursive strategies present in the song “Cadê teu suín?”, released in the early 2000s by the Brazilian band Los Hermanos, act in the construction of a strong critique of the massification of the music industry. As for the theoretical foundation, we also used the concepts of imitation by subversion and enunciation scenes (MAINGUENEAU, 1989, 1988, 2005) which, applied to the phonogram of the aforementioned song, yielded the following results: a) the scenography mobilized is dialogic and composed by four parts: accusation of the label, defense of the singer-songwriter (band), reply and rejoinder; b) the criticism of the cultural industry is built, in the first part of the song, by the subversive imitation of the rules imposed by the record company and by the coincidence of the role of singer-songwriter (band), raised by the generic scene of the song, with that of “accused” of insurgency against the phonographic market; c) the revenge of the singer-songwriter, staged in the dialogue as a critique of marketing rules, shows that even if he complies with them out of necessity, this will not make him lose his power of creativity and artistic autonomy.
publisher Portal de Periódicos Eletrônicos da UFRN
publishDate 2023
url https://periodicos.ufrn.br/gelne/article/view/29971
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