Alejandro Puente – Color as a Footprint of Fundamental Conflicts

This paper concentrates on the work of Alejandro Puente, an artist from La Plata (Argentina). Particularly after his return from New York, where he experimented new techniques and topics thanks to a Guggenheim scholarship, Puente developed a series of works expressed in a much own pictorial language...

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Principais autores: Cittá, Federico, Accarini, Irene Leonor
Formato: Online
Idioma:spa
Publicado em: ABRACE / ANDA / ANPAP / ANPPOM
Endereço do item:https://periodicos.ufrn.br/artresearchjournal/article/view/29706
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spelling oai:periodicos.ufrn.br:article-297062022-11-28T03:56:26Z Alejandro Puente – Color as a Footprint of Fundamental Conflicts Alejandro Puente: el color como huella de conflictos fundamentales Cittá, Federico Accarini, Irene Leonor Painting Color Modernism Unconscious Subject Pintura Color Modernismo Inconsciente Sujeto This paper concentrates on the work of Alejandro Puente, an artist from La Plata (Argentina). Particularly after his return from New York, where he experimented new techniques and topics thanks to a Guggenheim scholarship, Puente developed a series of works expressed in a much own pictorial language, quite apart from the objectivity of Northamerican Art. This text explores the ideas that drove Puente to find a new space and language in Latinamerican painting, and shows aspects of his search, by means of which he managed to capture the contradictions of daily life in the region, while eroding the structure of the dominant Modernist opticality. En el siguiente artículo propongo realizar un acercamiento a la obra del artista platense Alejandro Puente. Aquella obra producida luego de recibir la beca Guggenheim, al regreso de su estadía en Nueva York, entendida como la construcción de un lenguaje pictórico propio que toma distancia de la objetualidad del arte norteamericano. Me interesa explorar las ideas que impulsaron a Puente a encontrar un nuevo espacio en la pintura de la región, donde logra solventar las contradicciones que el campo de la historia vivida genera, y produce erosiones en la estructura de la opticalidad modernista. ABRACE / ANDA / ANPAP / ANPPOM 2022-07-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://periodicos.ufrn.br/artresearchjournal/article/view/29706 Art Research Journal: Revista de Pesquisa em Artes; Vol. 9 No. 1 (2022): Dossier Warburg: Contributions to The Warburg 2019 International Symposium, Buenos Aires ARJ – Art Research Journal: Revista de Pesquisa em Artes; v. 9 n. 1 (2022): Dossiê Warburg: contribuições ao Simpósio Internacional Warburg 2019, Buenos Aires 2357-9978 10.36025/arj.v9i1 spa https://periodicos.ufrn.br/artresearchjournal/article/view/29706/15960 Copyright (c) 2022 Federico Cittá, Irene Leonor Accarini (Autor) http://creativecommons.org/licenses/by-nc-sa/4.0
institution Periódicos UFRN
collection Portal de Pediódicos Eletrônicos da UFRN
language spa
format Online
author Cittá, Federico
Accarini, Irene Leonor
spellingShingle Cittá, Federico
Accarini, Irene Leonor
Alejandro Puente – Color as a Footprint of Fundamental Conflicts
author_facet Cittá, Federico
Accarini, Irene Leonor
author_sort Cittá, Federico
title Alejandro Puente – Color as a Footprint of Fundamental Conflicts
title_short Alejandro Puente – Color as a Footprint of Fundamental Conflicts
title_full Alejandro Puente – Color as a Footprint of Fundamental Conflicts
title_fullStr Alejandro Puente – Color as a Footprint of Fundamental Conflicts
title_full_unstemmed Alejandro Puente – Color as a Footprint of Fundamental Conflicts
title_sort alejandro puente – color as a footprint of fundamental conflicts
description This paper concentrates on the work of Alejandro Puente, an artist from La Plata (Argentina). Particularly after his return from New York, where he experimented new techniques and topics thanks to a Guggenheim scholarship, Puente developed a series of works expressed in a much own pictorial language, quite apart from the objectivity of Northamerican Art. This text explores the ideas that drove Puente to find a new space and language in Latinamerican painting, and shows aspects of his search, by means of which he managed to capture the contradictions of daily life in the region, while eroding the structure of the dominant Modernist opticality.
publisher ABRACE / ANDA / ANPAP / ANPPOM
publishDate 2022
url https://periodicos.ufrn.br/artresearchjournal/article/view/29706
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AT accariniireneleonor alejandropuenteelcolorcomohuelladeconflictosfundamentales
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