Engrams: Dynamic Polarities in Arlindo Daibert's "Diadorim II" Woodcut

The notions of engram and Pathosformel, as understood by Aby Warburg (1866-1929), can be applied to the analysis of the woodcut Diadorim II (1984) forged by the Brazilian plastic artist Arlindo Daibert (1952-1993). The image arose from Daibert´s reading o...

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Principais autores: de Castro da Silva, Gustavo, de Bessa Oliveira, Leandro
Formato: Online
Idioma:por
Publicado em: ABRACE / ANDA / ANPAP / ANPPOM
Endereço do item:https://periodicos.ufrn.br/artresearchjournal/article/view/29704
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spelling oai:periodicos.ufrn.br:article-297042022-11-28T03:56:26Z Engrams: Dynamic Polarities in Arlindo Daibert's "Diadorim II" Woodcut Engramas: polaridades dinâmicas na imagem "Diadorim II" de Arlindo Daibert de Castro da Silva, Gustavo de Bessa Oliveira, Leandro Warburg Engrams Image Diadorim Arlindo Daibert Warburg Engramas Imagem Diadorim Arlindo Daibert The notions of engram and Pathosformel, as understood by Aby Warburg (1866-1929), can be applied to the analysis of the woodcut Diadorim II (1984) forged by the Brazilian plastic artist Arlindo Daibert (1952-1993). The image arose from Daibert´s reading of João Guimarães Rosa’s novel (1908-1969), Grande sertão: veredas (1956), in which contrasting dynamic forces are debated –logic and magic, reason and foulness, visibility and concealment–, emulating the narrative flow of Rosa´s prose. So, using Warburg's methodological tools and procedures (approximation, analogy, reminiscence and philology), the image and the pathos’ dimension in the Diadorim’s character are here explored, evoking in turn cosmological dimensions. A xilogravura do artista plástico brasileiro Arlindo Daibert (1952-1993), Diadorim II, é o meio pelo qual se investiga a noção de engrama e Pathosformel segundo Aby Warburg (1866-1929). Imagem motivada pelo romance de João Guimarães Rosa (1908-1969), Grande sertão: veredas (1956), em que se debatem forças dinâmicas contrastantes – lógica e magia, razão e desrazão, aparição e ocultamento –, semelhante ao fluxo narrativo rosiano. Deste modo, com os procedimentos metodológicos de Warburg (aproximativo, analógico, pelas reminiscências e filológico), explorou-se o caráter de transmissão presentes na imagem e na dimensão do páthos na personagem Diadorim, o que permitiu encontrar a sua dimensão cosmológica. ABRACE / ANDA / ANPAP / ANPPOM 2022-08-11 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://periodicos.ufrn.br/artresearchjournal/article/view/29704 Art Research Journal: Revista de Pesquisa em Artes; Vol. 9 No. 1 (2022): Dossier Warburg: Contributions to The Warburg 2019 International Symposium, Buenos Aires ARJ – Art Research Journal: Revista de Pesquisa em Artes; v. 9 n. 1 (2022): Dossiê Warburg: contribuições ao Simpósio Internacional Warburg 2019, Buenos Aires 2357-9978 10.36025/arj.v9i1 por https://periodicos.ufrn.br/artresearchjournal/article/view/29704/16017 Copyright (c) 2022 Gustavo de Castro da Silva, Leandro de Bessa Oliveira (Autor) http://creativecommons.org/licenses/by-nc-sa/4.0
institution Periódicos UFRN
collection Portal de Pediódicos Eletrônicos da UFRN
language por
format Online
author de Castro da Silva, Gustavo
de Bessa Oliveira, Leandro
spellingShingle de Castro da Silva, Gustavo
de Bessa Oliveira, Leandro
Engrams: Dynamic Polarities in Arlindo Daibert's "Diadorim II" Woodcut
author_facet de Castro da Silva, Gustavo
de Bessa Oliveira, Leandro
author_sort de Castro da Silva, Gustavo
title Engrams: Dynamic Polarities in Arlindo Daibert's "Diadorim II" Woodcut
title_short Engrams: Dynamic Polarities in Arlindo Daibert's "Diadorim II" Woodcut
title_full Engrams: Dynamic Polarities in Arlindo Daibert's "Diadorim II" Woodcut
title_fullStr Engrams: Dynamic Polarities in Arlindo Daibert's "Diadorim II" Woodcut
title_full_unstemmed Engrams: Dynamic Polarities in Arlindo Daibert's "Diadorim II" Woodcut
title_sort engrams: dynamic polarities in arlindo daibert's "diadorim ii" woodcut
description The notions of engram and Pathosformel, as understood by Aby Warburg (1866-1929), can be applied to the analysis of the woodcut Diadorim II (1984) forged by the Brazilian plastic artist Arlindo Daibert (1952-1993). The image arose from Daibert´s reading of João Guimarães Rosa’s novel (1908-1969), Grande sertão: veredas (1956), in which contrasting dynamic forces are debated –logic and magic, reason and foulness, visibility and concealment–, emulating the narrative flow of Rosa´s prose. So, using Warburg's methodological tools and procedures (approximation, analogy, reminiscence and philology), the image and the pathos’ dimension in the Diadorim’s character are here explored, evoking in turn cosmological dimensions.
publisher ABRACE / ANDA / ANPAP / ANPPOM
publishDate 2022
url https://periodicos.ufrn.br/artresearchjournal/article/view/29704
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AT decastrodasilvagustavo engramaspolaridadesdinamicasnaimagemdiadorimiidearlindodaibert
AT debessaoliveiraleandro engramaspolaridadesdinamicasnaimagemdiadorimiidearlindodaibert
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