On How the Contemporary Art of Tucumán Questions the “Tucumano” Concept
This paper aims to reflect, based on the Warburgian notion of culture as contamination, the singularities of contemporary artistic production in Tucumán, a province located in the northwest of Argentina. Since the Tucumanian Art is marked by the strong relationship between the artist’s imag...
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oai:periodicos.ufrn.br:article-296942022-11-28T03:56:26Z On How the Contemporary Art of Tucumán Questions the “Tucumano” Concept Como a arte contemporânea de Tucumán questiona a noção de “tucumano” Juliano, Bruno Martoni, Alex Contemporary Art Tucumán Stone-image Identity Culture Contamination Mounting Arte contemporânea Tucumán Imagem-pedra Identidad Cultura Contaminação Montagem This paper aims to reflect, based on the Warburgian notion of culture as contamination, the singularities of contemporary artistic production in Tucumán, a province located in the northwest of Argentina. Since the Tucumanian Art is marked by the strong relationship between the artist’s imagination and Andean geography, this essay proposes the notion of stone-image as a conceptual interpellation to the alleged existence of a Tucumanian identity. Instead, it is here proposed to think in a more complex way, historically, the artistic tradition of Tucumán, in which survival (Nachleben) is a recurrent symptom in culture, while spontaneous artistic montage reveals once and again a way of constructing history through intervals. Este artigo tem por objetivo refletir sobre as singularidades da produção artística contemporânea de Tucumán, província situada no noroeste da Argentina, a partir da noção warburguiana de cultura como contaminação. Na medida em que essa produção esteve marcada por uma forte relação entre imaginário do artista e a geografia andina, buscaremos propor a noção de imagens-pedra como forma de questionar a concepção de identidad tucumana m favor de um modo mais complexo de pensar, historicamente, a tradição artística de Tucumán; um modo fortemente marcado pela sobrevivência (Nachleben), o que nos permite pensá-la sob a perspectiva das noções warburguianas de obra de arte como sintomatologia da cultura e da montagem e como modo de construção de uma história dos intervalos. ABRACE / ANDA / ANPAP / ANPPOM 2022-07-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://periodicos.ufrn.br/artresearchjournal/article/view/29694 Art Research Journal: Revista de Pesquisa em Artes; Vol. 9 No. 1 (2022): Dossier Warburg: Contributions to The Warburg 2019 International Symposium, Buenos Aires ARJ – Art Research Journal: Revista de Pesquisa em Artes; v. 9 n. 1 (2022): Dossiê Warburg: contribuições ao Simpósio Internacional Warburg 2019, Buenos Aires 2357-9978 10.36025/arj.v9i1 por https://periodicos.ufrn.br/artresearchjournal/article/view/29694/15956 Copyright (c) 2022 Bruno Juliano, Alex Martoni (Autor) http://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Periódicos UFRN |
| collection |
Portal de Pediódicos Eletrônicos da UFRN |
| language |
por |
| format |
Online |
| author |
Juliano, Bruno Martoni, Alex |
| spellingShingle |
Juliano, Bruno Martoni, Alex On How the Contemporary Art of Tucumán Questions the “Tucumano” Concept |
| author_facet |
Juliano, Bruno Martoni, Alex |
| author_sort |
Juliano, Bruno |
| title |
On How the Contemporary Art of Tucumán Questions the “Tucumano” Concept |
| title_short |
On How the Contemporary Art of Tucumán Questions the “Tucumano” Concept |
| title_full |
On How the Contemporary Art of Tucumán Questions the “Tucumano” Concept |
| title_fullStr |
On How the Contemporary Art of Tucumán Questions the “Tucumano” Concept |
| title_full_unstemmed |
On How the Contemporary Art of Tucumán Questions the “Tucumano” Concept |
| title_sort |
on how the contemporary art of tucumán questions the “tucumano” concept |
| description |
This paper aims to reflect, based on the Warburgian notion of culture as contamination, the singularities of contemporary artistic production in Tucumán, a province located in the northwest of Argentina. Since the Tucumanian Art is marked by the strong relationship between the artist’s imagination and Andean geography, this essay proposes the notion of stone-image as a conceptual interpellation to the alleged existence of a Tucumanian identity. Instead, it is here proposed to think in a more complex way, historically, the artistic tradition of Tucumán, in which survival (Nachleben) is a recurrent symptom in culture, while spontaneous artistic montage reveals once and again a way of constructing history through intervals. |
| publisher |
ABRACE / ANDA / ANPAP / ANPPOM |
| publishDate |
2022 |
| url |
https://periodicos.ufrn.br/artresearchjournal/article/view/29694 |
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