Survivals of Rome in Federico Fellini

This paper proposes to apply the concept of survival developed in the iconology of Aby Warburg to the cinema dedicated to Rome in Federico Fellini's filmography. To achieve this purpose, the films Block-notes di un regista (1969), Satyricon&...

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Autor principal: Vargau, Marina
Formato: Online
Idioma:spa
Publicado em: ABRACE / ANDA / ANPAP / ANPPOM
Endereço do item:https://periodicos.ufrn.br/artresearchjournal/article/view/29684
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spelling oai:periodicos.ufrn.br:article-296842022-11-28T03:56:26Z Survivals of Rome in Federico Fellini Las supervivencias en la Roma de Federico Fellini Vargau, Marina Warburg Survival Movie theater Federico Fellini Rome Warburg Supervivencia Cine Fellini Roma This paper proposes to apply the concept of survival developed in the iconology of Aby Warburg to the cinema dedicated to Rome in Federico Fellini's filmography. To achieve this purpose, the films Block-notes di un regista (1969), Satyricon (1969) and Roma (1972) are analyzed. According to this reading, these films are constantly traversed, and even inhabited, by survivals, which reach Fellini’s Rome from the legends of the city, from its history and its cinema, and even from the personal Roman experiences of the director himself. Two central questions make up the axes around which this approach is developed: firstly, how do survivals manifest themselves and what role do they play in Fellini’s films? And, secondly, do we witness the appearance of a new paradigm in relation to the inertia of the images or does Fellini’s work reveal a continuity, worth to be inscribed in the surviving images of Warburg? Este artículo plantea aplicar el concepto de supervivencia desarrollado en la iconología por Aby Warburg al cine dedicado a Roma en la filmografía de Federico Fellini. Para alcanzar este objetivo, se analizan las películas Block-notes di un regista (1969), Satyricon (1969) y Roma (1972). Según nuestra lectura, estas películas están constantemente atravesadas, e incluso habitadas, por supervivencias, que llegan a la Roma felliniana desde las leyendas de la ciudad, desde su historia y su cine y también desde las experiencias personales del director mismo. Dos preguntas centrales conforman los ejes alrededor de los cuales se articula el presente enfoque: por una parte, ¿c mo se manifiestan las supervivencias y qué papel estas tienen en las películas de Fellini? Y, por otra parte, en estas películas, ¿asistimos a la aparición de un nuevo paradigma en relación a la inercia de las imágenes o acaso el trabajo de Fellini revela una continuidad, pudiendo ser inscritas las supervivencias cinematográficas fellinianas en la línea de las imágenes supervivientes de Warburg? ABRACE / ANDA / ANPAP / ANPPOM 2022-07-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://periodicos.ufrn.br/artresearchjournal/article/view/29684 Art Research Journal: Revista de Pesquisa em Artes; Vol. 9 No. 1 (2022): Dossier Warburg: Contributions to The Warburg 2019 International Symposium, Buenos Aires ARJ – Art Research Journal: Revista de Pesquisa em Artes; v. 9 n. 1 (2022): Dossiê Warburg: contribuições ao Simpósio Internacional Warburg 2019, Buenos Aires 2357-9978 10.36025/arj.v9i1 spa https://periodicos.ufrn.br/artresearchjournal/article/view/29684/15948 Copyright (c) 2022 Marina Vargau (Autor) http://creativecommons.org/licenses/by-nc-sa/4.0
institution Periódicos UFRN
collection Portal de Pediódicos Eletrônicos da UFRN
language spa
format Online
author Vargau, Marina
spellingShingle Vargau, Marina
Survivals of Rome in Federico Fellini
author_facet Vargau, Marina
author_sort Vargau, Marina
title Survivals of Rome in Federico Fellini
title_short Survivals of Rome in Federico Fellini
title_full Survivals of Rome in Federico Fellini
title_fullStr Survivals of Rome in Federico Fellini
title_full_unstemmed Survivals of Rome in Federico Fellini
title_sort survivals of rome in federico fellini
description This paper proposes to apply the concept of survival developed in the iconology of Aby Warburg to the cinema dedicated to Rome in Federico Fellini's filmography. To achieve this purpose, the films Block-notes di un regista (1969), Satyricon (1969) and Roma (1972) are analyzed. According to this reading, these films are constantly traversed, and even inhabited, by survivals, which reach Fellini’s Rome from the legends of the city, from its history and its cinema, and even from the personal Roman experiences of the director himself. Two central questions make up the axes around which this approach is developed: firstly, how do survivals manifest themselves and what role do they play in Fellini’s films? And, secondly, do we witness the appearance of a new paradigm in relation to the inertia of the images or does Fellini’s work reveal a continuity, worth to be inscribed in the surviving images of Warburg?
publisher ABRACE / ANDA / ANPAP / ANPPOM
publishDate 2022
url https://periodicos.ufrn.br/artresearchjournal/article/view/29684
work_keys_str_mv AT vargaumarina survivalsofromeinfedericofellini
AT vargaumarina lassupervivenciasenlaromadefedericofellini
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