Space Evocated, Space Represented: The Biblical Topic of Paradise in the Middle Ages
When Adam and Eve, grieved, left Paradise after transgressing the divine mandate, they carried in their souls the memory of that place to which they would never return. This then onwards imagined and long-awaited place, the Garden of Delights, is not a topic inherent only to the religions t...
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oai:periodicos.ufrn.br:article-296752022-11-28T03:56:26Z Space Evocated, Space Represented: The Biblical Topic of Paradise in the Middle Ages Espacio evocado, espacio representado: el tópico bíblico del Paraíso en el Medioevo Martínez, Adriana Mabel Locus amoenus Paradise Garden of Delights Nachleben Late Antiquity Middle Ages Locus amoenus Paraíso Nachleben Antigüedad Tardía Baja Edad Media When Adam and Eve, grieved, left Paradise after transgressing the divine mandate, they carried in their souls the memory of that place to which they would never return. This then onwards imagined and long-awaited place, the Garden of Delights, is not a topic inherent only to the religions that are based on the Bible, but it crosses all the cultures of Antiquity. In the Christian Middle Ages, however, it became a repeatedly evoked space, both in philosophical-theological comments and in iconic representations. The present paper seeks to approach the images of Paradise by using the methodology proposed by Warburg, revalued in recent years by Georges Didi-Huberman and others, insofar as the Garden of Delights topic is built up with borrowings of transmitted knowledge and non-knowledge, cultural transformations and dislocations, etc. In short, images of the Paradise open to a plurality of senses, here analyzed. Cuando Adán y Eva apesadumbrados abandonaron el Paraíso luego de transgredir el mandato divino, llevaron consigo el recuerdo de ese lugar al que nunca regresarían. Ese lugar añorado, jardín de delicias, no es un tópico inherente sólo a las religiones que se sustentan en el texto bíblico, sino que atraviesa todas las culturas de la Antigüedad. Sin embargo, en el Medioevo cristiano se convierte en un espacio reiteradamente evocado tanto en los comentarios filosófico-teológicos como en las representaciones icónicas. El presente trabajo propone abordar las imágenes del Paraíso desde la metodología superadora planteada por Warburg, retomada y revalorizada en los últimos años por Georges Didi-Huberman entre otros, en cuanto están construidas con préstamos de saberes transmitidos y de no-saberes, con transformaciones, con dislocaciones; en suma, imágenes abiertas a una pluralidad de sentidos. ABRACE / ANDA / ANPAP / ANPPOM 2022-07-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://periodicos.ufrn.br/artresearchjournal/article/view/29675 Art Research Journal: Revista de Pesquisa em Artes; Vol. 9 No. 1 (2022): Dossier Warburg: Contributions to The Warburg 2019 International Symposium, Buenos Aires ARJ – Art Research Journal: Revista de Pesquisa em Artes; v. 9 n. 1 (2022): Dossiê Warburg: contribuições ao Simpósio Internacional Warburg 2019, Buenos Aires 2357-9978 10.36025/arj.v9i1 spa https://periodicos.ufrn.br/artresearchjournal/article/view/29675/15943 Copyright (c) 2022 Adriana Mabel Martínez (Autor) http://creativecommons.org/licenses/by-nc-sa/4.0 |
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Martínez, Adriana Mabel |
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Martínez, Adriana Mabel Space Evocated, Space Represented: The Biblical Topic of Paradise in the Middle Ages |
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Martínez, Adriana Mabel |
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Martínez, Adriana Mabel |
title |
Space Evocated, Space Represented: The Biblical Topic of Paradise in the Middle Ages |
title_short |
Space Evocated, Space Represented: The Biblical Topic of Paradise in the Middle Ages |
title_full |
Space Evocated, Space Represented: The Biblical Topic of Paradise in the Middle Ages |
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Space Evocated, Space Represented: The Biblical Topic of Paradise in the Middle Ages |
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Space Evocated, Space Represented: The Biblical Topic of Paradise in the Middle Ages |
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space evocated, space represented: the biblical topic of paradise in the middle ages |
description |
When Adam and Eve, grieved, left Paradise after transgressing the divine mandate, they carried in their souls the memory of that place to which they would never return. This then onwards imagined and long-awaited place, the Garden of Delights, is not a topic inherent only to the religions that are based on the Bible, but it crosses all the cultures of Antiquity. In the Christian Middle Ages, however, it became a repeatedly evoked space, both in philosophical-theological comments and in iconic representations. The present paper seeks to approach the images of Paradise by using the methodology proposed by Warburg, revalued in recent years by Georges Didi-Huberman and others, insofar as the Garden of Delights topic is built up with borrowings of transmitted knowledge and non-knowledge, cultural transformations and dislocations, etc. In short, images of the Paradise open to a plurality of senses, here analyzed. |
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ABRACE / ANDA / ANPAP / ANPPOM |
publishDate |
2022 |
url |
https://periodicos.ufrn.br/artresearchjournal/article/view/29675 |
work_keys_str_mv |
AT martinezadrianamabel spaceevocatedspacerepresentedthebiblicaltopicofparadiseinthemiddleages AT martinezadrianamabel espacioevocadoespaciorepresentadoeltopicobiblicodelparaisoenelmedioevo |
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1766683077519605760 |