Warburguian Echoes in Present Art: Cristina Brattig Almeida in "Nephele (Fragile)"
One of the topics of the Warburg 2019 International Symposium was "Warburguian Echoes in Present Art". The installation created by the Brazilian artist Cristina Brattig Almeida in Nephele (Fragile) materialized some of those echoes as Nymphs of the Clouds (Nephele), which is also the name...
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oai:periodicos.ufrn.br:article-296632022-11-28T03:56:26Z Warburguian Echoes in Present Art: Cristina Brattig Almeida in "Nephele (Fragile)" Ecos warburguianos na arte do presente: Cristina Brattig Almeida em "Nephele (Fragile)" Makowiecky , Sandra Nephele (Nymph of the Clouds) Pathos Movement Installation Contemporary Art Nephele (Ninfa das nuvens) Pathos Movimento e ninfas Instalação com ninfas One of the topics of the Warburg 2019 International Symposium was "Warburguian Echoes in Present Art". The installation created by the Brazilian artist Cristina Brattig Almeida in Nephele (Fragile) materialized some of those echoes as Nymphs of the Clouds (Nephele), which is also the name of a species of moth, attracted by light. The image of the nymph, as Warburg showed, is revealed in her permanent and obsessive presence in various studies, authors, artists, epochs. The nymph, symptom-image, returns via Brattig from the Ancient World to a 21st Century museum, flying in the space, as nine hand-shaped ceramic sculptures. In this installation we see one of the most fundamental attributes for an authentic irruption of the nymph under Warburg´s interpretation: movement. We recognize the nymph's spreading force found everywhere in a sort of "game of transformations and metamorphoses", resisting at the same time any external procedure to give her a specific meaning. Um dos temas do Simpósio Internacional Warburg 2019 foi Ecos warburguianos en el arte del presente, de onde surgiu o título do trabalho, em que alguns ecos marcam presença em Cristina Brattig Almeida na instalação Nephele (Fragile), materializando-as como Nephele (Ninfa das nuvens), que é também o nome de uma espécie de mariposa, atraída pela luz. A imagem da ninfa revela-se na sua permanente e obsessiva presença em vários estudos, autores, artistas. A ninfa, imagem-sintoma, retorna do mundo antigo para o século XXI, em um museu, voando no espaço, em nove esculturas de cerâmica modeladas a mão. Vemos nesta instalação um dos atributos mais fundamentais para uma autêntica irrupção da ninfa: o movimento. Reconhecemos a força disseminativa da ninfa que permite que seja encontrada em toda parte num “jogo de transformações e metamorfoses” e que resiste a qualquer procedimento que intente atribuir-lhe um significado determinado. ABRACE / ANDA / ANPAP / ANPPOM 2022-07-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://periodicos.ufrn.br/artresearchjournal/article/view/29663 Art Research Journal: Revista de Pesquisa em Artes; Vol. 9 No. 1 (2022): Dossier Warburg: Contributions to The Warburg 2019 International Symposium, Buenos Aires ARJ – Art Research Journal: Revista de Pesquisa em Artes; v. 9 n. 1 (2022): Dossiê Warburg: contribuições ao Simpósio Internacional Warburg 2019, Buenos Aires 2357-9978 10.36025/arj.v9i1 por https://periodicos.ufrn.br/artresearchjournal/article/view/29663/15936 Copyright (c) 2022 Sandra Makowiecky (Autor) http://creativecommons.org/licenses/by-nc-sa/4.0 |
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Makowiecky , Sandra |
| spellingShingle |
Makowiecky , Sandra Warburguian Echoes in Present Art: Cristina Brattig Almeida in "Nephele (Fragile)" |
| author_facet |
Makowiecky , Sandra |
| author_sort |
Makowiecky , Sandra |
| title |
Warburguian Echoes in Present Art: Cristina Brattig Almeida in "Nephele (Fragile)" |
| title_short |
Warburguian Echoes in Present Art: Cristina Brattig Almeida in "Nephele (Fragile)" |
| title_full |
Warburguian Echoes in Present Art: Cristina Brattig Almeida in "Nephele (Fragile)" |
| title_fullStr |
Warburguian Echoes in Present Art: Cristina Brattig Almeida in "Nephele (Fragile)" |
| title_full_unstemmed |
Warburguian Echoes in Present Art: Cristina Brattig Almeida in "Nephele (Fragile)" |
| title_sort |
warburguian echoes in present art: cristina brattig almeida in "nephele (fragile)" |
| description |
One of the topics of the Warburg 2019 International Symposium was "Warburguian Echoes in Present Art". The installation created by the Brazilian artist Cristina Brattig Almeida in Nephele (Fragile) materialized some of those echoes as Nymphs of the Clouds (Nephele), which is also the name of a species of moth, attracted by light. The image of the nymph, as Warburg showed, is revealed in her permanent and obsessive presence in various studies, authors, artists, epochs. The nymph, symptom-image, returns via Brattig from the Ancient World to a 21st Century museum, flying in the space, as nine hand-shaped ceramic sculptures. In this installation we see one of the most fundamental attributes for an authentic irruption of the nymph under Warburg´s interpretation: movement. We recognize the nymph's spreading force found everywhere in a sort of "game of transformations and metamorphoses", resisting at the same time any external procedure to give her a specific meaning. |
| publisher |
ABRACE / ANDA / ANPAP / ANPPOM |
| publishDate |
2022 |
| url |
https://periodicos.ufrn.br/artresearchjournal/article/view/29663 |
| work_keys_str_mv |
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