The Birth of the Image-Collection in the "Atlas" of Gerardus Mercator
The scholar attention given to the Atlas Mnemosyne, analyzing the more than seventy panels on which Warburg grouped clippings of images and photographs, illustrated the Warburgian search for the survival of certain formulas of pathos across cultures and times. Despite the...
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oai:periodicos.ufrn.br:article-296592022-11-28T03:56:26Z The Birth of the Image-Collection in the "Atlas" of Gerardus Mercator El nacimiento de la imagen-colección en el "Atlas" de Gerardus Mercator Ottonello, Rodrigo Oscar Image-collection Atlas Mercator Warburg Imagen-colección Atlas Mercator Warburg The scholar attention given to the Atlas Mnemosyne, analyzing the more than seventy panels on which Warburg grouped clippings of images and photographs, illustrated the Warburgian search for the survival of certain formulas of pathos across cultures and times. Despite the obsessive dedication with which Warburg developed these studies (replied in those who studied his method), it is striking that the panels have not received more attention as images themselves, and that no systematic attempts have been made to place the very panels among other images, in the same way that their craftsman established links between visual fragments of Antiquity, Renaissance and Modernity. As a singular attempt in that direction, this article seeks to show links between the panels of the Mnemosyne Atlas and other image-collections, starting by Gerardus Mercator's cartographic Atlas of 1595. La mayor parte de la atención concedida al Atlas Mnemosyne, al fijarse en los más de setenta paneles sobre los que Warburg agrupó recortes de imágenes y fotografías, ilustra la búsqueda warburguiana de la supervivencia de ciertas fórmulas del pathos a través de las culturas y los tiempos. A pesar de la dedicación obsesiva con que Warburg desarrolló dichos estudios, resulta llamativo que los paneles no hayan recibido más atención en tanto imágenes, y que no se haya procurado seriamente situarlos entre otras imágenes, del mismo modo en que su artesano estableció vínculos entre fragmentos de la Antigüedad, el Renacimiento y la Modernidad. Para cumplir con tal tarea, este artículo se dedicará a establecer algunas relaciones existentes entre los paneles del Atlas Mnemosyne con otras colecciones de imágenes, comenzando por el Atlas cartográfico de Gerardus Mercator de 1595. ABRACE / ANDA / ANPAP / ANPPOM 2022-07-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://periodicos.ufrn.br/artresearchjournal/article/view/29659 Art Research Journal: Revista de Pesquisa em Artes; Vol. 9 No. 1 (2022): Dossier Warburg: Contributions to The Warburg 2019 International Symposium, Buenos Aires ARJ – Art Research Journal: Revista de Pesquisa em Artes; v. 9 n. 1 (2022): Dossiê Warburg: contribuições ao Simpósio Internacional Warburg 2019, Buenos Aires 2357-9978 10.36025/arj.v9i1 spa https://periodicos.ufrn.br/artresearchjournal/article/view/29659/15933 Copyright (c) 2022 Rodrigo Oscar Ottonello (Autor) http://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Periódicos UFRN |
| collection |
Portal de Pediódicos Eletrônicos da UFRN |
| language |
spa |
| format |
Online |
| author |
Ottonello, Rodrigo Oscar |
| spellingShingle |
Ottonello, Rodrigo Oscar The Birth of the Image-Collection in the "Atlas" of Gerardus Mercator |
| author_facet |
Ottonello, Rodrigo Oscar |
| author_sort |
Ottonello, Rodrigo Oscar |
| title |
The Birth of the Image-Collection in the "Atlas" of Gerardus Mercator |
| title_short |
The Birth of the Image-Collection in the "Atlas" of Gerardus Mercator |
| title_full |
The Birth of the Image-Collection in the "Atlas" of Gerardus Mercator |
| title_fullStr |
The Birth of the Image-Collection in the "Atlas" of Gerardus Mercator |
| title_full_unstemmed |
The Birth of the Image-Collection in the "Atlas" of Gerardus Mercator |
| title_sort |
birth of the image-collection in the "atlas" of gerardus mercator |
| description |
The scholar attention given to the Atlas Mnemosyne, analyzing the more than seventy panels on which Warburg grouped clippings of images and photographs, illustrated the Warburgian search for the survival of certain formulas of pathos across cultures and times. Despite the obsessive dedication with which Warburg developed these studies (replied in those who studied his method), it is striking that the panels have not received more attention as images themselves, and that no systematic attempts have been made to place the very panels among other images, in the same way that their craftsman established links between visual fragments of Antiquity, Renaissance and Modernity. As a singular attempt in that direction, this article seeks to show links between the panels of the Mnemosyne Atlas and other image-collections, starting by Gerardus Mercator's cartographic Atlas of 1595. |
| publisher |
ABRACE / ANDA / ANPAP / ANPPOM |
| publishDate |
2022 |
| url |
https://periodicos.ufrn.br/artresearchjournal/article/view/29659 |
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