From Mythical to Mathematical Orientation: The "Cosmologicon" of the Hamburg Planetarium as a Branch of the Kulturwissenschaftliche Bibliothek Warburg

Aby Warburg’s “Collection of images on the history of astronomy and astrology”, opened 1930 in the Hamburg planetarium as a permanent exhibition, was the only completed project of his famous “image series” (the Atlas Mnemosyne included). Considered as a didactic tool for the citizens of Hamburg to u...

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Autor principal: Fleckner, Uwe
Formato: Online
Idioma:eng
Publicado em: ABRACE / ANDA / ANPAP / ANPPOM
Endereço do item:https://periodicos.ufrn.br/artresearchjournal/article/view/29654
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spelling oai:periodicos.ufrn.br:article-296542022-11-28T03:56:26Z From Mythical to Mathematical Orientation: The "Cosmologicon" of the Hamburg Planetarium as a Branch of the Kulturwissenschaftliche Bibliothek Warburg Fleckner, Uwe History of astrology and astronomy Cultural education Art and reproduction Artworks as media of reflection Aby Warburg’s “Collection of images on the history of astronomy and astrology”, opened 1930 in the Hamburg planetarium as a permanent exhibition, was the only completed project of his famous “image series” (the Atlas Mnemosyne included). Considered as a didactic tool for the citizens of Hamburg to understand the cultural history of astrology and astronomy, it assembled a wide range of reproductions of stars, constellations and superstitious as well as scientific images depicted in the arts from “primitive” peoples to the era of Dürer, Luther and Kepler. Warburg’s ambition was to create a reflexive distance (Denkraum) between men and the threatening phenomena experienced while looking into the sky: “The history of astronomy shows the manifold forms of human views of the world. Setting out from fear of demons and magic, humanity always has to travel afresh the path to the abstract logic of scientific observation”. ABRACE / ANDA / ANPAP / ANPPOM 2022-07-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://periodicos.ufrn.br/artresearchjournal/article/view/29654 Art Research Journal: Revista de Pesquisa em Artes; Vol. 9 No. 1 (2022): Dossier Warburg: Contributions to The Warburg 2019 International Symposium, Buenos Aires ARJ – Art Research Journal: Revista de Pesquisa em Artes; v. 9 n. 1 (2022): Dossiê Warburg: contribuições ao Simpósio Internacional Warburg 2019, Buenos Aires 2357-9978 10.36025/arj.v9i1 eng https://periodicos.ufrn.br/artresearchjournal/article/view/29654/15928 Copyright (c) 2022 Uwe Fleckner (Autor) http://creativecommons.org/licenses/by-nc-sa/4.0
institution Periódicos UFRN
collection Portal de Pediódicos Eletrônicos da UFRN
language eng
format Online
author Fleckner, Uwe
spellingShingle Fleckner, Uwe
From Mythical to Mathematical Orientation: The "Cosmologicon" of the Hamburg Planetarium as a Branch of the Kulturwissenschaftliche Bibliothek Warburg
author_facet Fleckner, Uwe
author_sort Fleckner, Uwe
title From Mythical to Mathematical Orientation: The "Cosmologicon" of the Hamburg Planetarium as a Branch of the Kulturwissenschaftliche Bibliothek Warburg
title_short From Mythical to Mathematical Orientation: The "Cosmologicon" of the Hamburg Planetarium as a Branch of the Kulturwissenschaftliche Bibliothek Warburg
title_full From Mythical to Mathematical Orientation: The "Cosmologicon" of the Hamburg Planetarium as a Branch of the Kulturwissenschaftliche Bibliothek Warburg
title_fullStr From Mythical to Mathematical Orientation: The "Cosmologicon" of the Hamburg Planetarium as a Branch of the Kulturwissenschaftliche Bibliothek Warburg
title_full_unstemmed From Mythical to Mathematical Orientation: The "Cosmologicon" of the Hamburg Planetarium as a Branch of the Kulturwissenschaftliche Bibliothek Warburg
title_sort from mythical to mathematical orientation: the "cosmologicon" of the hamburg planetarium as a branch of the kulturwissenschaftliche bibliothek warburg
description Aby Warburg’s “Collection of images on the history of astronomy and astrology”, opened 1930 in the Hamburg planetarium as a permanent exhibition, was the only completed project of his famous “image series” (the Atlas Mnemosyne included). Considered as a didactic tool for the citizens of Hamburg to understand the cultural history of astrology and astronomy, it assembled a wide range of reproductions of stars, constellations and superstitious as well as scientific images depicted in the arts from “primitive” peoples to the era of Dürer, Luther and Kepler. Warburg’s ambition was to create a reflexive distance (Denkraum) between men and the threatening phenomena experienced while looking into the sky: “The history of astronomy shows the manifold forms of human views of the world. Setting out from fear of demons and magic, humanity always has to travel afresh the path to the abstract logic of scientific observation”.
publisher ABRACE / ANDA / ANPAP / ANPPOM
publishDate 2022
url https://periodicos.ufrn.br/artresearchjournal/article/view/29654
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