Aby Warburg and the Cosmic Philology

Is it possible to delimit, under some kind of critical outline, the foundations of what Aby Warburg’s unnamed science sought to address? Certainly the varied attempts to name his enterprise, placed between a Science of Culture, a General Science of the Human (Agamben) and a Demonology of th...

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Autor principal: Brzozowski, Julian Alexander
Formato: Online
Idioma:por
Publicado em: ABRACE / ANDA / ANPAP / ANPPOM
Endereço do item:https://periodicos.ufrn.br/artresearchjournal/article/view/29651
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spelling oai:periodicos.ufrn.br:article-296512022-11-28T03:56:26Z Aby Warburg and the Cosmic Philology Aby Warburg e a filologia cósmica Brzozowski, Julian Alexander Philology Anthropocene Memory Mnemotechnics Filologia Antropoceno Memória Mnemotécnica Is it possible to delimit, under some kind of critical outline, the foundations of what Aby Warburg’s unnamed science sought to address? Certainly the varied attempts to name his enterprise, placed between a Science of Culture, a General Science of the Human (Agamben) and a Demonology of the Technological Age (Ludueña Romandini) allow us to glimpse an underlying Ethics in Warburg’s thought, especially readable in the files, texts and images of the Atlas Mnemosyne. This intellectual and visual monument operates as a witness of a heuristic nucleus, through which an unprecedented epistemological desire continues to swell. Far from trying to resolve or close these problems, which remain as fundamental questions for Warburgian scholars, this paper suggests that the idea of ​​a cosmic philology can help in tracing the scientific goals that, fortunately, increasingly emerge and multiply around the unspeakable aesthetic that this idiosyncratic art historian bequeathed as a living legacy. É possível delimitar, com algum tipo de traçado crítico, os alicerces do que buscou tratar a ciência sem nome de Aby Warburg? Certamente as tentativas de nomeação de seu fazer, entre uma ciência da cultura, uma ciência geral do humano (Agamben) ou uma demonologia à altura da era tecnológica (Ludueña Romandini) permitem entrever uma ética subjacente, cujos arquivos, textos e imagens do Atlas Mnemosyne operam como testemunhas de um núcleo por onde um inaudito desejo epistemológico segue lufando. Sem buscar, de maneira alguma, resolver ou encerrar esta que é uma questão fundamental para os estudiosos da obra de Warburg, sugeriremos neste presente texto como a ideia de uma filologia cósmica pode auxiliar no traçado dos almejos científicos que, felizmente, cada vez se assomam e multiplicam ao redor do inominável estético que o idiossincrático historiador da arte legou como herança viva. ABRACE / ANDA / ANPAP / ANPPOM 2022-07-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://periodicos.ufrn.br/artresearchjournal/article/view/29651 Art Research Journal: Revista de Pesquisa em Artes; Vol. 9 No. 1 (2022): Dossier Warburg: Contributions to The Warburg 2019 International Symposium, Buenos Aires ARJ – Art Research Journal: Revista de Pesquisa em Artes; v. 9 n. 1 (2022): Dossiê Warburg: contribuições ao Simpósio Internacional Warburg 2019, Buenos Aires 2357-9978 10.36025/arj.v9i1 por https://periodicos.ufrn.br/artresearchjournal/article/view/29651/15926 Copyright (c) 2022 Julian Alexander Brzozowski (Autor) http://creativecommons.org/licenses/by-nc-sa/4.0
institution Periódicos UFRN
collection Portal de Pediódicos Eletrônicos da UFRN
language por
format Online
author Brzozowski, Julian Alexander
spellingShingle Brzozowski, Julian Alexander
Aby Warburg and the Cosmic Philology
author_facet Brzozowski, Julian Alexander
author_sort Brzozowski, Julian Alexander
title Aby Warburg and the Cosmic Philology
title_short Aby Warburg and the Cosmic Philology
title_full Aby Warburg and the Cosmic Philology
title_fullStr Aby Warburg and the Cosmic Philology
title_full_unstemmed Aby Warburg and the Cosmic Philology
title_sort aby warburg and the cosmic philology
description Is it possible to delimit, under some kind of critical outline, the foundations of what Aby Warburg’s unnamed science sought to address? Certainly the varied attempts to name his enterprise, placed between a Science of Culture, a General Science of the Human (Agamben) and a Demonology of the Technological Age (Ludueña Romandini) allow us to glimpse an underlying Ethics in Warburg’s thought, especially readable in the files, texts and images of the Atlas Mnemosyne. This intellectual and visual monument operates as a witness of a heuristic nucleus, through which an unprecedented epistemological desire continues to swell. Far from trying to resolve or close these problems, which remain as fundamental questions for Warburgian scholars, this paper suggests that the idea of ​​a cosmic philology can help in tracing the scientific goals that, fortunately, increasingly emerge and multiply around the unspeakable aesthetic that this idiosyncratic art historian bequeathed as a living legacy.
publisher ABRACE / ANDA / ANPAP / ANPPOM
publishDate 2022
url https://periodicos.ufrn.br/artresearchjournal/article/view/29651
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