Gender-based violence in Brazil and Cuba: contemporary poetry as resistance
The book Sin mordaza, organized by Caridad Atencio and Christina Ramalho, presents poems by 33 Brazilian and Cuban poets through which the power of resistance represented by female authorship can be recognized in times of increasingly alarming rates of sexual practices socially recognized as “gender...
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oai:periodicos.ufrn.br:article-294962022-12-30T19:12:41Z Gender-based violence in Brazil and Cuba: contemporary poetry as resistance Violencia de género en Brasil y Cuba: poesía contemporánea como resistencia Ramalho, Christina Bielinski Female authorship Brazilian poetry Cuban poetry Gender violence Sociocriticism Autoría femenina Poesía brasileña Poesía cubana Violencia de género Sociocrítica The book Sin mordaza, organized by Caridad Atencio and Christina Ramalho, presents poems by 33 Brazilian and Cuban poets through which the power of resistance represented by female authorship can be recognized in times of increasingly alarming rates of sexual practices socially recognized as “gender violence”. Our proposal is, based on references such as Yanetsy Pino Reina, Ailynn Torres Santana, Amalia Pérez Martín, Diana Marcela Gómez Correal, Natalia Quiroga Díaz and María Lugones, among others, to undertake a sociocritical approach to some of these poems, in search of better understand the counterdiscursive marks present in these poems and the aspects that allow us to consider them also as signs of decoloniality since the patriarchy that sustained both experiences as colonized countries still shows its strength today. El libro Sin mordaza, organizado por Caridad Atencio y Christina Ramalho, presenta poemas de 33 poetas brasileñas y cubanas por medio de los cuales se puede reconocer el poder de resistencia representado por la autoría femenina en tiempos de índices cada vez más alarmantes de prácticas socialmente reconocidas como “violencia de género”. Nuestra propuesta es, a partir de referencias como Yanetsy Pino Reina, Ailynn Torres Santana, Amalia Pérez Martín, Diana Marcela Gómez Correal, Natalia Quiroga Díaz y María Lugones, entre otras, emprender un enfoque sociocrítico de algunos de estos poemas, en búsqueda de comprender mejor las marcas contradiscursivas presentes en estos poemas y los aspectos que nos permiten considerarlos también como signos de decolonialidad ya que el patriarcado que sustentó ambas experiencias como países colonizados aún hoy muestra su fuerza. UFRN 2022-11-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://periodicos.ufrn.br/odisseia/article/view/29496 Odisseia; Vol. 7 No. 2 (2022): Revista Odisseia; 61-78 Revue Odisseia; Vol. 7 No. 2 (2022): Revista Odisseia; 61-78 Revista Odisseia; v. 7 n. 2 (2022): Revista Odisseia; 61-78 1983-2435 10.21680/1983-2435.2022v7n2 spa https://periodicos.ufrn.br/odisseia/article/view/29496/16231 Copyright (c) 2022 Revista Odisseia http://creativecommons.org/licenses/by-nc-sa/4.0 |
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Periódicos UFRN |
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Portal de Pediódicos Eletrônicos da UFRN |
| language |
spa |
| format |
Online |
| author |
Ramalho, Christina Bielinski |
| spellingShingle |
Ramalho, Christina Bielinski Gender-based violence in Brazil and Cuba: contemporary poetry as resistance |
| author_facet |
Ramalho, Christina Bielinski |
| author_sort |
Ramalho, Christina Bielinski |
| title |
Gender-based violence in Brazil and Cuba: contemporary poetry as resistance |
| title_short |
Gender-based violence in Brazil and Cuba: contemporary poetry as resistance |
| title_full |
Gender-based violence in Brazil and Cuba: contemporary poetry as resistance |
| title_fullStr |
Gender-based violence in Brazil and Cuba: contemporary poetry as resistance |
| title_full_unstemmed |
Gender-based violence in Brazil and Cuba: contemporary poetry as resistance |
| title_sort |
gender-based violence in brazil and cuba: contemporary poetry as resistance |
| description |
The book Sin mordaza, organized by Caridad Atencio and Christina Ramalho, presents poems by 33 Brazilian and Cuban poets through which the power of resistance represented by female authorship can be recognized in times of increasingly alarming rates of sexual practices socially recognized as “gender violence”. Our proposal is, based on references such as Yanetsy Pino Reina, Ailynn Torres Santana, Amalia Pérez Martín, Diana Marcela Gómez Correal, Natalia Quiroga Díaz and María Lugones, among others, to undertake a sociocritical approach to some of these poems, in search of better understand the counterdiscursive marks present in these poems and the aspects that allow us to consider them also as signs of decoloniality since the patriarchy that sustained both experiences as colonized countries still shows its strength today. |
| publisher |
UFRN |
| publishDate |
2022 |
| url |
https://periodicos.ufrn.br/odisseia/article/view/29496 |
| work_keys_str_mv |
AT ramalhochristinabielinski genderbasedviolenceinbrazilandcubacontemporarypoetryasresistance AT ramalhochristinabielinski violenciadegeneroenbrasilycubapoesiacontemporaneacomoresistencia |
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