ALLURING, MELANCHOLY AND BEAUTIFUL: Queer Sensibilities and Neo-Baroque Aesthetic in Contemporary Photography
This study examines queer sensibilities as they emerge in the photographic oeuvres of Severo Sarduy (Cuba, 1937-1993), Pedro Lemebel (Chile, 1952-2015), Alair Gomes (Brazil, 1921-1991) and Hudinilson Junior (Brazil, 1957-2013). In doing so, we consider in the images what can be seen as queer baroque...
Na minha lista:
Principais autores: | , |
---|---|
Formato: | Online |
Idioma: | por |
Publicado em: |
Portal de Periódicos Eletrônicos da UFRN
|
Endereço do item: | https://periodicos.ufrn.br/cronos/article/view/29488 |
Tags: |
Adicionar Tag
Sem tags, seja o primeiro a adicionar uma tag!
|
id |
oai:periodicos.ufrn.br:article-29488 |
---|---|
record_format |
ojs |
spelling |
oai:periodicos.ufrn.br:article-294882022-07-12T17:02:41Z ALLURING, MELANCHOLY AND BEAUTIFUL: Queer Sensibilities and Neo-Baroque Aesthetic in Contemporary Photography Oliveira Junior, Ribamar José de Jaramillo Gil, Huber David Queer Baroque Photography Contemporary Body Fotografia Performance Gênero e Sexualidade This study examines queer sensibilities as they emerge in the photographic oeuvres of Severo Sarduy (Cuba, 1937-1993), Pedro Lemebel (Chile, 1952-2015), Alair Gomes (Brazil, 1921-1991) and Hudinilson Junior (Brazil, 1957-2013). In doing so, we consider in the images what can be seen as queer baroque. Within beauty, mystery and seduction, we find queer affect that revisits not only the baroque, but the neo-baroque in its aesthetic dimension. What the photographs transmit are performative overflows that emulate in the bodies ways of refusing social conventions. When working with sensitivity, we touch the images through affective interaction, and we realize how the body can be read by desire. Portal de Periódicos Eletrônicos da UFRN 2022-07-12 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Texto application/pdf https://periodicos.ufrn.br/cronos/article/view/29488 Revista Cronos; v. 22 n. 1 (2021): DOSSIÊ GÊNERO E SEXUALIDADE II: Gênero, Estéticas e Performances; 24-48 1982-5560 1518-0689 10.21680/1982-5560.2021v22n1 por https://periodicos.ufrn.br/cronos/article/view/29488/15894 Copyright (c) 2022 Revista Cronos http://creativecommons.org/licenses/by-nc-sa/4.0 |
institution |
Periódicos UFRN |
collection |
Portal de Pediódicos Eletrônicos da UFRN |
language |
por |
format |
Online |
author |
Oliveira Junior, Ribamar José de Jaramillo Gil, Huber David |
spellingShingle |
Oliveira Junior, Ribamar José de Jaramillo Gil, Huber David ALLURING, MELANCHOLY AND BEAUTIFUL: Queer Sensibilities and Neo-Baroque Aesthetic in Contemporary Photography |
author_facet |
Oliveira Junior, Ribamar José de Jaramillo Gil, Huber David |
author_sort |
Oliveira Junior, Ribamar José de |
title |
ALLURING, MELANCHOLY AND BEAUTIFUL: Queer Sensibilities and Neo-Baroque Aesthetic in Contemporary Photography |
title_short |
ALLURING, MELANCHOLY AND BEAUTIFUL: Queer Sensibilities and Neo-Baroque Aesthetic in Contemporary Photography |
title_full |
ALLURING, MELANCHOLY AND BEAUTIFUL: Queer Sensibilities and Neo-Baroque Aesthetic in Contemporary Photography |
title_fullStr |
ALLURING, MELANCHOLY AND BEAUTIFUL: Queer Sensibilities and Neo-Baroque Aesthetic in Contemporary Photography |
title_full_unstemmed |
ALLURING, MELANCHOLY AND BEAUTIFUL: Queer Sensibilities and Neo-Baroque Aesthetic in Contemporary Photography |
title_sort |
alluring, melancholy and beautiful: queer sensibilities and neo-baroque aesthetic in contemporary photography |
description |
This study examines queer sensibilities as they emerge in the photographic oeuvres of Severo Sarduy (Cuba, 1937-1993), Pedro Lemebel (Chile, 1952-2015), Alair Gomes (Brazil, 1921-1991) and Hudinilson Junior (Brazil, 1957-2013). In doing so, we consider in the images what can be seen as queer baroque. Within beauty, mystery and seduction, we find queer affect that revisits not only the baroque, but the neo-baroque in its aesthetic dimension. What the photographs transmit are performative overflows that emulate in the bodies ways of refusing social conventions. When working with sensitivity, we touch the images through affective interaction, and we realize how the body can be read by desire.
|
publisher |
Portal de Periódicos Eletrônicos da UFRN |
publishDate |
2022 |
url |
https://periodicos.ufrn.br/cronos/article/view/29488 |
work_keys_str_mv |
AT oliveirajuniorribamarjosede alluringmelancholyandbeautifulqueersensibilitiesandneobaroqueaestheticincontemporaryphotography AT jaramillogilhuberdavid alluringmelancholyandbeautifulqueersensibilitiesandneobaroqueaestheticincontemporaryphotography |
_version_ |
1766682324463779840 |