The Formula of Love: Figurations of "Pathos" in Ancient and Contemporary Nymphs
The pathos formula, one of the main concepts elaborated by Aby Warburg, consists of canonical figurations of the exteriority of bodies, taken back from Antiquity by the Renaissance, and refer mainly to the internal affections. The historian analyzed the pathos of Jealousy and that of the He...
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oai:periodicos.ufrn.br:article-293502022-11-28T03:56:26Z The Formula of Love: Figurations of "Pathos" in Ancient and Contemporary Nymphs A fórmula do amor: figurativizações do "páthos" em ninfas antigas e contemporâneas Tulio Baggio, Adriana Pathosformel Engram Discursive semiotics Love Woman Skirt and dress Pathosformeln Engrama Semiótica discursiva Mulher Saia e vestido The pathos formula, one of the main concepts elaborated by Aby Warburg, consists of canonical figurations of the exteriority of bodies, taken back from Antiquity by the Renaissance, and refer mainly to the internal affections. The historian analyzed the pathos of Jealousy and that of the Hero, but he did not name a certain pathos observed in the nymphs with flowing hair and robes, so well analyzed by him in works by Sandro Botticelli. This article proposes that, in these nymphs, the pathos is that of Love. This idea is justified by the presence of a figurative isotopy of love in Botticelli's works and in those that influenced the painter, as can be seen while describing and detailing the methodological path followed by Warburg. The article also exercises the identification of the formula of love in contemporary nymphs and discusses the ambivalence of the meanings of this formula: love as an over-determination of pleasure and danger. A fórmula de páthos, um dos principais conceitos elaborados por Aby Warburg, consiste em figurativizações canônicas da exterioridade dos corpos, retomadas da Antiguidade pelo Renascimento, e que remetem à interioridade afetada por uma paixão. O historiador especificou o páthos do ciúmes e do herói, mas não chegou a denominar o páthos observado nas ninfas de vestes e cabelos esvoaçantes por ele analisadas em obras de Sandro Botticelli. Este artigo propõe que, nestas ninfas, o páthos é o do amor. A proposição se justifica pela presença de uma isotopia figurativa do amor nas obras de Botticelli e nas que influenciaram o pintor, conforme o trabalho mostra ao descrever e detalhar o percurso metodológico seguido por Warburg. O artigo exercita ainda a identificação da fórmula do amor em ninfas de manifestações contemporâneas e discute a ambivalência dos sentidos desta fórmula: o amor como sobredeterminação do prazer e do perigo. ABRACE / ANDA / ANPAP / ANPPOM 2022-09-27 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://periodicos.ufrn.br/artresearchjournal/article/view/29350 Art Research Journal: Revista de Pesquisa em Artes; Vol. 9 No. 1 (2022): Dossier Warburg: Contributions to The Warburg 2019 International Symposium, Buenos Aires ARJ – Art Research Journal: Revista de Pesquisa em Artes; v. 9 n. 1 (2022): Dossiê Warburg: contribuições ao Simpósio Internacional Warburg 2019, Buenos Aires 2357-9978 10.36025/arj.v9i1 por https://periodicos.ufrn.br/artresearchjournal/article/view/29350/16132 Copyright (c) 2022 Adriana Baggio (Autor) http://creativecommons.org/licenses/by-nc-sa/4.0 |
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Periódicos UFRN |
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Online |
| author |
Tulio Baggio, Adriana |
| spellingShingle |
Tulio Baggio, Adriana The Formula of Love: Figurations of "Pathos" in Ancient and Contemporary Nymphs |
| author_facet |
Tulio Baggio, Adriana |
| author_sort |
Tulio Baggio, Adriana |
| title |
The Formula of Love: Figurations of "Pathos" in Ancient and Contemporary Nymphs |
| title_short |
The Formula of Love: Figurations of "Pathos" in Ancient and Contemporary Nymphs |
| title_full |
The Formula of Love: Figurations of "Pathos" in Ancient and Contemporary Nymphs |
| title_fullStr |
The Formula of Love: Figurations of "Pathos" in Ancient and Contemporary Nymphs |
| title_full_unstemmed |
The Formula of Love: Figurations of "Pathos" in Ancient and Contemporary Nymphs |
| title_sort |
formula of love: figurations of "pathos" in ancient and contemporary nymphs |
| description |
The pathos formula, one of the main concepts elaborated by Aby Warburg, consists of canonical figurations of the exteriority of bodies, taken back from Antiquity by the Renaissance, and refer mainly to the internal affections. The historian analyzed the pathos of Jealousy and that of the Hero, but he did not name a certain pathos observed in the nymphs with flowing hair and robes, so well analyzed by him in works by Sandro Botticelli. This article proposes that, in these nymphs, the pathos is that of Love. This idea is justified by the presence of a figurative isotopy of love in Botticelli's works and in those that influenced the painter, as can be seen while describing and detailing the methodological path followed by Warburg. The article also exercises the identification of the formula of love in contemporary nymphs and discusses the ambivalence of the meanings of this formula: love as an over-determination of pleasure and danger. |
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ABRACE / ANDA / ANPAP / ANPPOM |
| publishDate |
2022 |
| url |
https://periodicos.ufrn.br/artresearchjournal/article/view/29350 |
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